DEATH OF A SALESMAN

Geoff Elliott’s magnificent star turn as Willy Loman, nearly a dozen impeccable supporting performances, and inspired direction and design by an all-star A Noise Within team add up to as brilliant a revival of Death Of A Salesman as any Arthur Miller aficionado could ever hope to see.

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MONTY PYTHON’S SPAMALOT


Monty Python’s Spamalot is back, and the Hollywood Pantages has got it, guaranteeing L.A. audiences not only the wildest, wackiest, and winningest of musical comedy rides but a spectacular new scenic design and even more flashy dancing than the 2005 Broadway original.
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KIM’S CONVENIENCE


As hard as I fell for Kim’s Convenience when I streamed the Canadian sitcom on Netflix a couple of years back, I was unprepared for how head over heels I would be for its inspiration, Ins Choi’s 2011 feel-amazing stage gem now paying a visit to the Ahmanson.
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STEEL MAGNOLIAS


Six terrific actresses strut their comedic stuff as a sextet of Louisiana women whose delicate exteriors hide tough-as-steel cores in the Group Rep’s season-opening crowd-pleaser, Robert Harling’s Southern-fried charmer Steel Magnolias.
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GUILTY PLEASURES


Noël Coward meets Neil Simon in Ken Levine’s sexy new romcom romp Guilty Pleasures, now getting a laugh-packed West Coast Premiere at the LAX-adjacent Kentwood Players.
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JESUS CHRIST SUPERSTAR


The Nocturne Theatre reinvents Jesus Christ Superstar to thrilling effect by re-situating the famed rock opera in a dystopian version of the world we live in today, and that’s only the beginning.

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THE BEST BOARDING HOUSE IN DELAWARE


Playwright Marja-Lewis Ryan is back, and reunited with her One In The Chamber star Heidi Sulzman in The Best Boarding House In Delaware, not only the year’s most deliciously dark comedy but one that marks the return to the stage of the exquisite Leigh Taylor-Young.
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YOU CAN’T TAKE IT WITH YOU


Inspired direction and an all-around fabulous cast overcome community theater design limitations in You Can’t Take It With You, the latest crowd-pleaser from Santa Monica’s now 80-year-old Morgan-Wixson Theatre.
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