THE PEOPLE OF POMPEII

All bets are off when a sextet of native and transplanted Topangans get together for a couples’ dinner in the aftermath of the Palisades Fire in Bernardo Cubría’s The People Of Pompeii, as laugh-out-loud funny as it is deeply perceptive of the political, economic, and social divides that polarize us and the humanity that binds us together.
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LITTLE SHOP OF HORRORS

Even last-minute improvised emergency lighting couldn’t dim the opening night excitement at Altadena Music Theatre’s all-around fabulous open-air revival of Howard Ashman and Alan Menken’s Little Shop Of Horrors.
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AUGUST WILSON’S MA RAINEY’S BLACK BOTTOM

My mind may have wandered during the second half of Act One of August Wilson’s Ma Rainey’s Black Bottom, but when all is said and done, it’s a pretty darn spectacular season opener for A Noise Within.
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PERICLES


Ten strangers seeking refuge from a storm in a disaster relief center find much in common with their displaced Shakespearean counterparts in Boston Court Pasadena’s thrillingly inventive staging of Ellen McLaughlin’s modern verse translation of Pericles.
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ENEMY OF THE PEOPLE


Tests that reveal contaminated water in the local hot springs pose an existential threat to townspeople whose livelihoods depend on tourist dollars in Bart DeLorenzo’s electrifying contemporary adaptation of Henrik Ibsen’s ahead-of-its-times 1882 shocker Enemy Of The People.
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NEXT TO NORMAL


Next To Normal has arrived at the Hudson Backstage for an all-too-short 4-performance run that more than does justice to the powerful, deeply moving multiple Tony Award winner.
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KIMBERLY AKIMBO


Theatre Palisades and director Cate Caplin have another winner on their hands with Kimberly Akimbo, Pulitzer Prize-winning playwright David Lindsay-Abaire’s quirky comedy about a soon-to-turn-16-year-old who’s got more on her plate than your average high schooler.
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FROZEN


The Broadway musical Frozen may not be nearly as preschool-kids-friendly as Disney’s The Little Mermaid or Beauty And The Beast, but Torrance Theatre Company once again gives professional regional theaters stiff competition with their splendidly performed and gorgeous-to-look-at big-stage production of the 2018 Broadway hit.
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