THE CURSE OF OEDIPUS

Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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LAND LINE

“When a health crisis forces Terry to move back into his parents’ basement, his best friend John supports him with laughter, sympathy, bravado, and finally, honesty.”

Rarely has a press release taken such pains to be detail/spoiler-free, so in the interest of honoring Ensemble Studio Theatre/LA’s wishes, let me simply say: If you’re in the mood for a beautifully written, exquisitely acted, and often quite funny tearjerker, make plans to see Stephen Dierkes’ World Premiere dramedy Land Line—and should eye makeup be your thing, be sure your mascara is waterproof.
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THE GOODBYE GIRL

Sunday’s delightful “family-affair” concert staged reading of the 1993 Broadway flop The Goodbye Girl made it abundantly clear why, despite a stellar pedigree, the Neil Simon-Marvin Hamlisch-David Zippel musical was not destined for a long life on The Great White Way, yet proved a perfect choice for Musical Theatre West’s One-Night-Only Reiner Reading Series.
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STUPID FUCKING BIRD

2014’s hottest “new” playwright may well be none other than the Russian master Anton Chekhov, his 19th Century classics having inspired not one but three current hits: Christopher Durang’s Vanya And Sonia And Masha And Spike, Donald Margulies’ The Country House, and now —most Chekhov-specifically—Aaron Posner’s inspired meta-dramedy Stupid Fucking Bird, currently being given a sensational West Coast Premiere under the ever-inventive direction of Michael Michetti.
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THE DROWSY CHAPERONE

The Drowsy Chaperone, Broadway’s Valentine to Musical Theater, has been given an intimate Orange County staging at Santa Ana’s Theatre Out, one that makes it abundantly clear why the 2006 multiple-Tony winner is one of this past decade’s best—and most original—new musicals.
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JERSEY BOYS

Jersey Boys, the 13th longest running show in Broadway history no less, is now making its triumphant return to Southern California with a three-week stop at Costa Mesa’s Segerstrom Center For The Arts after a seven-year absence, and that, musical theater (and Four Seasons) lovers, is cause for celebration.
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FLOWER DUET

Marriage is “till death do us part”—except when it isn’t—or so Max and Stephanie and Sandy and Maddie discover in Maura Campbell’s provocative Flower Duet, now getting its West Coast Premiere at North Hollywood’s Road Theatre following a 2010 World Premiere in Burlington, Vermont.
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CITY OF ANGELS

If ever there were a Broadway musical that would seem to lend itself less to being performed as a concert staged reading, it would probably be City Of Angels, and yet wonder of wonders, the Tony-winning Best Musical of 1989 has within less than ten months, served as the basis of not one but two concert staged readings, both of them absolutely inspired.
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