FREDDY

Cate Caplin’s exciting, eclectic choreography and some terrific dance performances from students enrolled in LACC’s Theatre Academy make Deborah Lawlor’s 55-minute look back at largely forgotten mid-20th-century dance icon Freddy Herko worth checking out despite stilted dialog that would challenge even the most accomplished cast.
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BILLY BOY

An unexpected sexual encounter with a former high school girlfriend sends a 60ish gay man and a pair of long-dead ghosts on a trip down memory lane in Nick Salamone’s Billy Boy, a Playwrights Arena World Premiere that starts out promisingly enough before veering off into the Twilight Zone.
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BIG NIGHT

Paul Rudnick flounders Big-Time in Big Night, a World Premiere comedy-melodrama likely to prove a Big Letdown to fans hoping for more of the same hearts-and-minds-changing comedic magic that made Jeffrey and In & Out such crowd-pleasing delights.
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GREY NOMAD

Married 60something fuddy-duddies meet a free-spirited couple of fellow retirees to life-changing effect in Dan Lee’s hilarious, heartwarming World Premiere comedy Grey Nomad, the latest from L.A.’s Australian Theatre Company.
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SOMEWHERE IN THE MIDDLE (OR GUESS WHO’S COMING FOR PASSOVER)

A Catholic mom, her Jewish husband and mother-in-law, and a couple of kids raised somewhere in the middle. Meet the protagonists of Gary Lamb’s Somewhere in the Middle (or guess who’s coming for Passover), a World Premiere Crown City Theatre Company dramedy that transcends its “Very Special Episode” premise to make for a discussion-prompting, terrifically acted look at the religious ties that rarely bind in today’s polarized world.
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THE LOST CHILD

An long-estranged couple, a mysterious waif looking at least half-a-decade younger than her eighteen years, and a Grimm’s Fairy Tale-style cabin in the woods add up to an unsatisfying mix of Unsolved Mysteries and The Twilight Zone in Skylight Theatre Company’s World Premiere production of Jennifer W. Rowland’s The Lost Child.
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THE DEVIL’S WIFE

Three recently bereaved sisters find their world rocked by a mystery man dressed all in black (save a pair of blood-red satin gloves) in Tom Jacobson’s devilishly droll period thriller The Devil’s Wife, a Skylight Theatre Company World Premiere.
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DEAD BOYS

An über-macho 20something and his not-nearly-so-manly former schoolmate find themselves possibly the only two people left alive on earth in Dead Boys, Matthew Scott Montgomery’s funny, touching, romantic, edge-of-your-seat hour-long look at racism, homophobia, and the apocalypse now.
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