KNIFE TO THE HEART

To cut or not to cut. That is the question facing Marshall and his shiksa spouse when pregnant-with-twins Julie Ann learns that the postpartum shindig her Jewish mother-in-law’s got planned will involve not just cocktails but a bit of infant cock-snipping. No wonder Stan Zimmerman and Christian McLaughlin have titled their entertaining, unexpectedly touching 80-minute stage sitcom Knife To The Heart.
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LITTLE BLACK SHADOWS

Kemp Powers’ Little Black Shadows takes an intriguing concept (the lives of teenage house slaves serving white teen masters in early-1850s Georgia), then veers off track into family dysfunction, folktales, magical realism, and a couple of weird plot twists that left me scratching my head despite the best efforts of a Grade-A cast headed by the simply sensational Giovanni Adams and Chauntae Pink.
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PIGS AND CHICKENS

The Office meets A.I. meets Orwell’s Big Brother in Marek Glinski’s entertaining if a tad over-complicated satirical absurdist black comedy Pigs And Chickens, the latest Ensemble Studio Theatre/LA World Premiere.
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SHREW!

Amy Freed returns to South Coast Repertory with another hit-or-miss (but mostly miss) World Premiere comedy, this time a purportedly feminist take on William Shakespeare’s The Taming Of The Shrew retitled simply Shrew!
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THROUGH THE EYE OF A NEEDLE

A dysfunctional family in mourning makes for unexpected holiday hilarity and heart in Jami Brandli’s Through The Eye Of A Needle, a humdinger of a Road Theatre Company World Premiere.
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AKUMA-SHIN

Terrific performances and an ingenious production design cannot salvage the perplexing jumble that is Kenley Smith’s big-ideas sci-fi-parody-fantasy-thriller black comedy Akuma-Shin, a Sacred Fools Theater Company World Premiere, any more than its cast of characters—Dr. Joyce Brothers, William F. Buckley, Jr., Truman Capote, and Norman Mailer among them—are able to save Tokyo from Godzilla.
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THE MADRES

Playwright Stephanie Alison Walker pays tribute to the women who would not be silenced when their sons and daughters started disappearing by the thousands during the “dirty war” waged by the Argentine military dictatorship on its own citizens beginning in the mid-1970s in The Madres, another powerhouse Skylight Theatre World Premiere.
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AN UNDIVIDED HEART

Pedophile Catholic priests and toxic waste-dumping chemical plants form the backdrop of Yusuf Toropov’s An Undivided Heart, a Circle X. Theatre Co./Echo Theater Company World Premiere that despite occasional tonal inconsistency and lack of clarity proves a powerful indictment of church-and-corporation-sanctioned abuse.
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