BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
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ANIMAL FARM


A superlative cast, inspired direction, and designs that are the epitome of imaginative top the list of reasons not to miss Peter Hall’s musical adaptation of George Orwell’s Animal Farm at A Noise Within.
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VALLEY SONG


South African master playwright Athol Fugard tells a coming-of-age story as universal as it is specific to his homeland in Valley Songs, the poignant and powerful latest from Long Beach’s International City Theatre.
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THE WEST SIDE WALTZ


It’s a family affair at Will Geer’s Theatricum Botanicum as the legendary Grandpa Walton’s eldest daughter Ellen Geer, her sister Melora Marshall, and Ellen’s daughter Willow Geer make theatrical magic in The West Side Waltz, Ernest Thompson’s captivating slice of 1980s New York life.
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NORMAL NOISES


If laughter is indeed the best medicine, then you’re bound to leave Normal Noises, Clara Rodriguez’s quirky sextet of “plays about real life, only more so” in the halest of health.
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LAVENDER MEN


Queer playwright Roger Q. Mason explores the love that dared not speak its name between Abraham Lincoln and his “close friend” Elmer Ellsworth in Lavender Men, at once a gay American history fantasia, a very public therapy session for its self-described “black, fat, femme” author, and one of the most stunning productions in town.
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TROUBLE THE WATER


Will Geer’s Theatricum Botanicum pays tribute to a little-known figure in African-American history in Ellen Geer’s illuminating, emotion-packed biodrama Trouble The Water, freely adapted from Rebecca Dwight Bruff’s award-winning 2019 novel of the same name.
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MUD

Loft Ensemble imagines a dystopian future populated by ten nameless, genderless global calamity survivors in Mud, a World Premiere drama I found alternately pretentious and preachy
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