ROMEO & JULIET: CHOOSE YOUR OWN ENDING


Should Romeo woo Juliet or should he court Rosaline? This is just the first of three major life decisions left up to an audience vote at the Morgan-Wixson Theatre in Ann and Shawn Fraistat’s Romeo & Juliet: Choose Your Own Ending, a hilariously clever new take on a centuries-old classic.
(read more)

BEACH PEOPLE


A quartet of sunbathers philosophize on the sand in Charles A. Duncombe’s absurdist existential comedy Beach People, a City Garage World Premiere impressively acted by a skin-revealing cast of four.
(read more)

THE PROM

A gaggle of liberal-minded Broadway narcissists descend on conservative Middle America to aid an Indiana teen who just wants to dance in public with the girl she loves in The Prom, the multiple-Tony-nominated musical that now ranks sky-high on my list of 21st-century favorites.
(read more)

THE MERRY WIVES OF WINDSOR


Set in the Eisenhower 1950s and featuring a Goodness Gracious Great Bunch of Top 40 oldies, Will Geer’s Theatricum Botanicum’s The Merry Wives Of Windsor takes comedic flight as the inspired vision of director Ellen Geer, who’s not afraid to alter the text if it earns laughter to do Lucy and Ricky and Fred and Ethel proud.
(read more)

THE ADDAMS FAMILY


Torrance Theatre Company’s finger-snappingly fabulous The Addams Family redefines what a community theater can accomplish with a crackerjack volunteer-actor cast and just as much talent behind the scenes.
(read more)

THE TWYLIGHT ZONE: THE 6TH DIMENSION

Production values are minimal, but there’s maximum laughter to be found in The Twylight Zone: The 6th Dimension, David Gallic’s cleverly written, ingeniously staged parody of the iconic 1960s TV series of a differently spelled name.
(read more)

REMEMBERING THE FUTURE


Imagine if the person you were at age 18 could tell 58-year-old you exactly what they think of your life choices. Playwright Peter Lefcourt does precisely this in his entertaining new “existential comedy” Remembering The Future, now tantalizing audiences with “What ifs” at the Odyssey Theatre.
(read more)

THE METROMANIACS


The rhymes come fast and furious, and so do the laughs, in Theatre 40’s 2022-2023 season-opener The Metromaniacs, David Ives’ très délicieux updating of Alexis Piron’s early-18th-century French farce of a similar name.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »