INTO THE WOODS

Stephen Sondheim and James Lapine’s Tony-winning Into The Woods receives its first major L.A.-area production in nearly a decade as 3-D Theatricals presents a beautifully acted, assuredly directed, and gorgeously designed revival of the contemporary classic, though all concerned must surely be wishing they’d had the benefit of a couple more previews before Saturday’s technical-glitch-marred Opening Night.
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PASSION PLAY

Chance Theater challenges adventurous theatergoers and rewards them in equal measure with director Trevor Biship’s powerfully staged vision of Sarah Ruhl’s Passion Play, three acts, two intermissions and all. Bows may not get taken till nearly three-and-a-half hours after curtain, but if you’re anything like this reviewer, you’ll find yourself enthralled from fanciful start to emotional finish.
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WAKE

An agoraphobic mortician, a homeschooled teenager, an increasingly forgetful grandmother, the ghost of a deceased spouse, and a man who just might sweep all the doldrums away take center stage in Carey Crim’s not-quite-perfect dramedy Wake, whose West Coast Premiere at South Pasadena’s Fremont Centre Theatre benefits enormously from Matt Kirkwood’s deft direction, an all-around terrific ensemble, and a topnotch production design.

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TARZAN: THE MUSICAL

The stage adaptation of the smash 1999 Disney animated feature Tarzan has finally arrived in Los Angeles eight years after its Broadway debut, and if the intimate staging now playing at North Hollywood’s El Portal doesn’t do quite everything right, it makes for a highly entertaining show for audiences five and up.
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CORPUS CHRISTI

Director Tito Covert-Ortiz has restaged his Scenie-winning vision of Terrence McNally’s Corpus Christi with its original star Jeffrey Fargo at Santa Ana’s Theatre Out and the result is an even more powerfully moving production than it was at Long Beach’s Garage Theatre the first time round.
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THE DROWSY CHAPERONE

The Norris Center For The Performing Arts couldn’t have picked a better musical, nor staged it more sparklingly, than their 2013-2014 3-Play Series season closer The Drowsy Chaperone, winner of 5 Tony Awards and quite possibly the most entertaining Valentine to musical theater ever.
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MACBETH

RECOMMENDED

Elijah Alexander and Jules Willcox deliver powerhouse performances as Macbeth and his Lady as A Noise Within presents its latest excursion into Shakespeare territory. By contrast, Larry Carpenter’s direction proves considerably less impressive.
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FIVE MILE LAKE

Some plays grab you from their first moments and hold you in their grasp till the lights go out. Others sneak up on gradually until at a certain point you realize that you’ve been hooked … and hooked you stay till the final curtain. Rachel Bonds’ Five Mile Lake, the latest World Premiere from South Coast Repertory, falls into the latter category, and quite a small wonder of a play it is.
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