MAMMA MIA!
Wednesday, April 9th, 2014
Mamma Mia! and its two dozen of ABBA’s Greatest Hits are back at the Segerstrom Center For The Arts for the first time in three years, and though this is the international smash’s first non-Equity tour, this latest Mamma Mia! comes across Grade-A professional all the way.
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RUTHLESS! THE MUSICAL
Tuesday, April 8th, 2014
The Bad Seed met Gypsy met All About Eve met Mame met a tickled-to-death audience of musical theater lovers on Sunday as Musical Theatre Guild presented their latest, a one-night-only concert staged reading of the murderously funny cult off-Broadway spoof Ruthless! The Musical.
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‘S WONDERFUL
Sunday, April 6th, 2014
Take forty classic George Gershwin tunes, round up five stellar triple-threats to perform them, tie the three dozen-plus songs together into five mini-musicals with the wispiest of plots, add some snappy choreography from an up-and-coming Broadway whiz kid, back the whole thing up with a terrific seven-piece orchestra, and you’ve got ‘S Wonderful: The New Gershwin Musical, the latest charmer from Music Theatre West.
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ALTAR BOYZ
Saturday, April 5th, 2014
The Christian boy band known as the Altar Boyz have returned to L.A. for the first time in five years in a no-frills production that proves that even without a fancy set, pricy costumes, and surround sound, entertainment value can remain high when performances sparkle under a director as imaginative as Kristin Towers-Rowles.
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GRAND HOTEL
Friday, April 4th, 2014
Broadway buffs are hereby advised. You’ve got this weekend and next to catch what may well be the only big-stage, big-cast revival you’ll ever see of the multiple Tony-winning Grand Hotel.
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THE LAST ACT OF LILKA KADISON
Thursday, April 3rd, 2014
The ghosts of the past return to haunt an 87-year-old Jewish widow—and to make magic in more ways than one—as the Falcon Theatre treats L.A. audiences to the West Coast Premiere of The Last Act Of Lilka Kadison, yet another gem from one of L.A.’s finest Equity houses.
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FLOYD COLLINS
Monday, March 31st, 2014
In the early days of 1925, decades before Baby Jessica and O.J. and Monica Lewinsky and Nancy & Tonya and Watergate and Laci Peterson and Patty Hearst and Jon Benet and Octomom and Iran Contra and countless other 20th Century media circuses, a young Kentucky cave explorer named Floyd Collins became trapped in a narrow crawlway over fifty feet underground. Efforts to rescue him ignited a media frenzy, aided and abetted by the recent advent of broadcast radio that helped spread the news across the country.
Inspired by the two-week-long efforts to save Collins from a subterranean grave (and the carnival atmosphere that surrounded the rescue mission), Adam Guettel and Tina Landau wrote the 1996 Lucille Lortel/Obie Award-winning Floyd Collins, one of the most powerful musicals of the past two decades and one which La Mirada Theatre For The Performing Arts has now given an intimate “ONSTAGE” production that proves a brilliant follow-up to last year’s smash Spring Awakening.
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IN THE HEIGHTS
Saturday, March 29th, 2014
The Tony-winning Best Musical of 2008 with its original Tony-winning choreography and orchestrations, its original Tony-nominated Broadway scenic and costume designs, and a cast of some of Southern California’s finest triple-threats… All of this adds up to the very first Broadway-scale L.A.-adjacent regional production of Lin-Manuel Miranda and Quiara Alegría Hudes’s In The Heights, one of the finest Cabrillo Music Theatre productions ever.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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