SHE LOVES ME

A tale almost as old as time returns magically, musically to life as Chance Theater gives Jerry Bock & Sheldon Harnick’s She Loves Me a perfectly marvelous intimate staging just in time for the holiday season.
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hey brother

A 20something Asian-American adoptee fantasizes about the sibling she might possibly have in China as a pair of North Carolina brothers find their real-life relationship considerably thornier than the one she can only imagine in Bekah Brunstetter’s World Premiere dramedy hey brother, the terrific latest from the company of young artists who call themselves Fresh Produce’d L.A.
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ALMOST, MAINE

Plays don’t get any more magical, nor any more unabashedly romantic (with just enough salt to keep things from getting sappy) than John Cariani’s Almost, Maine, the record-breaking Most Produced Flop in off-Broadway history, now getting what well may be its first fully-cast professional Los Angeles production since its 2006 New York debut—and an absolutely wonderful one at that.
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INTO THE WOODS

Into The Woods is back in town again, the musical’s long-awaited film adaptation’s upcoming Christmas Day opening certain to inspire more ITW revivals than have been seen locally in years and years … and leave L.A. theatergoers scratching their heads wondering which of the bunch to see.

For this reviewer, at least, the answer is simple. Head on over to Beverly Hills’ ritzy Wallis Annenberg Center For The Performing Arts to catch the Oregon Shakespeare Festival’s Summer Of 2014 smash revival, now spending the holiday season indoors at the Wallis after four SRO months under the Ashland, Oregon skies.
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BUS STOP

Little Fish Theatre does everything right in their pitch-perfect revival of William Inge’s Bus Stop, the finest of the dozen-and-a-half productions I’ve reviewed at San Pedro’s little gem of a theater, and one absolutely worth a drive down Port Of Los Angeles way.
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A CHRISTMAS CAROL

RECOMMENDED

Alan Menken & Lynn Ahrens’s gorgeous songs are the best of quite a few reasons to catch Actors Repertory Theatre Of Simi’s holiday production of Charles Dickens’ A Christmas Carol despite the disservice its multitalented hometown cast is done by some sour notes emanating from the orchestra pit.
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SERIAL KILLER BARBIE

The season’s brightest, bounciest, and most crowd-pleasing musical surprise turns out to be Colette Freedman and Nickella Moschetti’s Serial Killer Barbie, hardly the splatter fest its catchy albeit misleading title might suggest, but a show that anyone who’s gone through the 12 rounds that are Elementary, Middle, and High School can identify with and cheer.
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FLARE PATH

A dashing English WWII fighter pilot. A handsome Hollywood film star. The pilot’s actress wife who loves them both. Could any triangle be more ripe for romantic drama than the threesome at the heart of Terence Rattigan’s 1942 stage hit Flare Path, rescued from obscurity by a 2011 West End revival and now being given a spiffy, seven-decades-awaited Los Angeles Premiere by Beverly Hills’ Theatre 40?
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