TAKARAZUKA!!!
Friday, November 14th, 2014
The women are gorgeous and the men … Well, the men are women—and every bit as stunning to look at—in Takarazuka, the all-female Japanese musical revue that is the setting for Susan Soon He Stanton’s fascinating new behind-the-scenes play-with-music Takarazuka!!!, now getting its West Coast Premiere at East West Players.
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PIPPIN
Wednesday, November 12th, 2014
The spectacular and the personal mesh to perfection in the most extraordinary Pippin you will ever see, and if you don’t believe me, check out the 2013 Best Revival Tony winner during its two-week stop at Costa Mesa’s Segerstrom Center For The Arts.
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STOP KISS
Monday, November 10th, 2014
Don’t let the gay bashing that is the pivotal event of Diana Son’s Stop Kiss scare you away from its exciting Pasadena Playhouse debut. Under Seema Sueko’s nuanced direction and with a pair of star turns by Angela Lin and Sharon Leal, Son’s 1998 off-Broadway hit reveals itself at its heart to be the subtly shaded tale of two women who find themselves almost accidentally falling in love.
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HANDLE WITH CARE
Sunday, November 9th, 2014
The more romantic your soul, the more likely you will be to fall in love with the West Coast Premiere of Handle With Care at Burbank’s Colony Theatre. Cynics may carp, but if you’re anything like this reviewer, Jason Odell Williams’ cross-cultural romcom will have you believing in soul mates and destiny all the way up to its uber-romantic finale.
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john & jen
Saturday, November 8th, 2014
A pair of outstanding lead performances highlight the first local production in as far back as I can remember of Andrew Lippa and Tom Greenwald’s john & jen, costars Ann Villella and Taylor Minckley alone providing more than enough reason to celebrate the 1995 off-Broadway gem’s all-too-brief arrival at North Hollywood’s Secret Rose Theatre.
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MAN OF LA MANCHA
Friday, November 7th, 2014
Several outstanding performances including a best-yet star turn by Marc Ginsburg in the title role make Glendale Centre Theatre’s Man Of La Mancha revival a fine introduction (or return visit) to the Tony-winning Best Musical of 1966, though the in-the-round setting does somewhat impede the atmospheric look that has made past La Manchas such production design dazzlers.
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BIG FISH
Sunday, November 2nd, 2014
A deeply conflicted father-son relationship, a husband and wife’s lifelong love, a spellbinding lead performance, a bunch of captivating supporting turns, some terrific dance sequences, an often quite gorgeous production design, and above all one of the most beautiful scores of recent years add up to an entertaining and often quite moving West Coast Premiere of Andrew Lippa and John August’s Big Fish at Long Beach’s Musical Theatre West.
Still, when a Broadway musical closes less than three months after its opening and fails to score a single Tony nomination or even a non-Equity tour, it is worth asking why.
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WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE (Sweet Potatoes)
Sunday, November 2nd, 2014
If any great production is worth experiencing twice, any great Antaeus Company production (and so far just about everything Antaeus has done fits neatly into that category) is even more worth that second visit if only to experience the added excitement of seeing each and every role played by a brand new actor (courtesy of the Antaeus custom of “partner casting”).
A second visit to Alice Childress’s Wedding Band: A Love/Hate Story In Black And White (click here for my original review) proves equally as rewarding as the first—and the “Sweet Potatoes” every bit as brilliant as the “Honey Bunches”—albeit with often quite distinctive looks and equally diverse takes on the multifaceted roles Childress has written for them.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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