MIRAVEL

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Cyrano de Bergerac gets a jazz-infused contemporary update in Jake Broder’s play with music Miravel, a Sacred Fools World Premiere that scores high marks for performance, both vocal and instrumental, but could use some tweaking and tightening, particularly in its overlong first act.
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42nd STREET

Three dozen pairs of “dancing feet” have arrived at the Segerstrom Center For The Arts, which as any Broadway buff will tell you can mean only one thing—42nd Street is in town, exciting news indeed for musical theater aficionados, particularly since the show’s latest national tour is just about as terrifically performed, directed, choreographed, and designed as national tours get.
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THE ADDAMS FAMILY

The “creepy, kooky, mysterious, and spooky” family known as The Addams have arrived at the Simi Valley Performing Arts Center in a production that proves an audience-pleaser even without Broadway sets and Equity performers, particularly as captained by a sensational George Chavez as Gomez Addams.
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EL GRANDE CIRCUS DE COCA-COLA

Gracias a Doña Barbara Beckley, Don Pepe Hernandez and his El Grand Circus De Coca-Cola have moved arriba from their 99-seat-plan origins and brought their multiple Scenie-winning* 90 minutos of nonstop hilardad to Burbank’s Colony Theatre for what remains the funniest show you’re likely to see in todo el año de 2015.
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THE SPARROW

A teenage girl’s return to her hometown following a ten-year absence takes both the introverted orphan and the audience observing her journey-into-adulthood on unexpected paths in The Sparrow, now getting a supremely theatrical West Coast Premiere by Coeurage Theatre Company, “Los Angeles’ only pay-what-you-want theatre.” (They’ve even trademarked the slogan.).
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UNCLE VANYA

You know from the moment Ilya Ilych Telegin, aka “Waffles,” starts the show off by singing and strumming along to Marvin Etzioni’s “The Mandolin Man” that The Antaeus Company’s West Coast Premiere of Annie Baker’s Drama Desk Award-winning adaptation of Anton Chekhov’s Uncle Vanya isn’t going to be like any Vanya (or perhaps any Chekhov) you’ve seen, and though I remain ambivalent about the talky Russian playwright, when the Anateus revival takes flight, it soars.
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CAKE

The lives of nine college town residents intersect in Wendy Gough Soroka’s World Premiere comedy Cake, the latest from Theatre Unleashed and a crowd-pleaser despite its unnecessarily lengthy scene changes.
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BREAKING THROUGH

The tale being told may not be “as old as time,” but it’s certainly as old as the recording industry, or so aspiring singer-songwriter Charlie Jane discovers in Breaking Through, a World Premiere musical that, while breaking no new ground storywise, at the very least features a catchy pop-rock score, some exciting choreography, and a bunch of thoroughly winning performances.
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