FRONT DOOR OPEN
Monday, November 23rd, 2015NOT RECOMMENDED
An improbable script, grating characters, problematic performances, lackluster direction, and above all the trivialization of a crippling anxiety disorder afflicting over three million Americans make Tom Baum’s Front Door Open a World Premiere production not worth leaving your house for.
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THE GLASS MENAGERIE
Sunday, November 22nd, 2015
Orange County’s Theatre Out concludes its 2015 season with a mostly quite successful revival of Tennessee Williams’s The Glass Menagerie, a play which, even seven decades after its 1944 Broadway premiere, remains his most timeless work.
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REUNION
Saturday, November 21st, 2015
Does your upcoming 10th, 20th, 30th, 40th, or 50th High School Reunion fill you with excitement and joy … or does the mere thought of attending inspire terror and dread? Either way, Marc Ellis, Michael Lange, and David M. Matthews’ tune-filled, feel-good musical Reunion, now getting its World Premiere at the NoHo Arts Center, is one invitation you’ll want to accept.
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OUTSIDE MULLINGAR
Saturday, November 21st, 2015
A couple of long-feuding Irish neighbors find themselves moonstruck in John Patrick Shanley’s delightfully quirky romantic comedy Outside Mullingar, now charming audiences at the Geffen Playhouse.
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MAN OF LA MANCHA
Friday, November 20th, 2015
UC Irvine celebrates its Golden Anniversary—and that of the Best Musical Tony-winning Broadway classic Man Of La Mancha—with a student production that, despite a problematic use of “Spanish accents,” once again rivals the best our professional regional theaters have to offer.
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THE PAINTED ROCKS AT REVOLVER CREEK
Tuesday, November 17th, 2015
Premier South African playwright Athol Fugard once again puts a personal face on apartheid in his deeply moving two-act drama The Painted Rocks Of Revolver Creek, now getting a gorgeously-acted West Coast Premiere at Fugard’s Los Angeles home, the award-winning Fountain Theatre.
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DO I HEAR A WALTZ?
Monday, November 16th, 2015
If ever there were an ideal show for Musical Theatre Guild to revive, it is Richard Rodgers, Stephen Sondheim, and Arthur Laurents’ Do I Hear A Waltz? Terrific songs. A book based on a successful play and movie. A couldn’t-be-more-romantic setting. Mixed reviews. Only 200 performances on Broadway. In short, a show you’re unlikely to see revived in any major sort of way any time soon.
Fortunately, thanks to MTG, L.A. audiences got treated to its many delights last night at Glendale’s historic Alex Theatre.
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THE FEAST
Sunday, November 15th, 2015
A suddenly meatless world serves as the pretext for what well may be the most bizarre dinner party in the history of contemporary theater in Celine Song’s absurdist black comedy The Feast, now being given a terrific Los Angeles New Court Theatre L.A. Premiere in precisely the kind of DTLA loft-with-view in which said dinner party might actually take place.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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