WOOD BOY DOG FISH

Wood Boy Dog Fish, Rogue Artists Ensemble’s deliciously twisted take on Carlo Collodi’s Pinocchio has moved uptown and upscale from the Bootleg to Toluca Lake, terrific news for those who like their fairy tales dark and dirty and theatrically magical.
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BAD JEWS

Joshua Harmon’s Bad Jews is back in a terrifically acted and directed Odyssey Theatre Ensemble production that does its smart, button-pushing source material proud.
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SOFT POWER

A New York cast and production team bring Los Angeles audiences the World Premiere latest from Tony-winning playwright David Henry Hwang and Tony-winning composer-lyricist Jeanine Tesori, the crowd-pleasing East-meets-West “play with a musical” Soft Power, as audacious in concept as it is for the most part effective in execution.
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NEXT TO NORMAL

A spectacular Mazie Rudolph’s star turn as a woman struggling with manic depression is just one reason Broadway’s Next To Normal makes for one of Simi Valley Cultural Arts Center’s best.
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DIE, MOMMIE, DIE!

Over-the-top doesn’t begin to describe the performances–or the fun of seeing so much scenery chewed by so sensational a cast–in Center Theatre Group’s Block Party reprise of Celebration Theatre’s 2017 comedy smash Die, Mommie, Die!
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THE UNAUTHORIZED MUSICAL PARODY OF CLUELESS

East Coast transfer student Tai Frasier may have been clueless when she showed up at Beverly Hill High just aching for a makeover, but the folks at Rockwell prove themselves masterful movie spoofers once again with their riotous, rollicking latest, The Unauthorized Musical Parody Of Clueless.
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HAMILTON

The American Revolution revolutionizes American musical theater in Lin Manuel Miranda’s groundbreaking, game-changing Hamilton, now thrilling audiences at Costa Mesa’s Segerstrom Center For The Arts like virtually nothing before.
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HONEYMOON IN VEGAS

Musical Theatre Guild has concluded its 20th-anniversary with a Honeymoon In Vegas so thrillingly staged, choreographed, and performed that yesterday’s audience could be excused for forgetting that they were seeing a mere “concert staged reading” put together in a mere twenty-five hours from table read to showtime.
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