STONEFACE

The creator-star of the multiple-award-winning Louis And Keely Live At The Sahara, the writer-director of the smash Sacred Fools original Watson: The Last Great Tale of the Legendary Sherlock Holmes (and its sequel), and the star of  TV’s 3rd Rock From The Son join forces at the Pasadena Playhouse in Stoneface, a 99-seat hometown hit that’s been given a much-deserved L.A. regional theater transfer … and when was the last time you’ve seen that happen in our fair city?
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WAKE

An agoraphobic mortician, a homeschooled teenager, an increasingly forgetful grandmother, the ghost of a deceased spouse, and a man who just might sweep all the doldrums away take center stage in Carey Crim’s not-quite-perfect dramedy Wake, whose West Coast Premiere at South Pasadena’s Fremont Centre Theatre benefits enormously from Matt Kirkwood’s deft direction, an all-around terrific ensemble, and a topnotch production design.

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MACBETH

RECOMMENDED

Elijah Alexander and Jules Willcox deliver powerhouse performances as Macbeth and his Lady as A Noise Within presents its latest excursion into Shakespeare territory. By contrast, Larry Carpenter’s direction proves considerably less impressive.
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COME BACK, LITTLE SHEBA

A gripping slice of contemporary Midwest life when it made its 1950 Broadway debut, William Inge’s Come Back, Little Sheba has now become a compelling period piece … and a superb 21st Century revival at A Noise Within.
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EVERYTHING YOU TOUCH

There’s no L.A. theater quite like The Theatre @ Boston Court for challenging audiences with plays that can, when things go as right as they do in Sheila Callaghan’s initially mystifying Everything You Touch, both stimulate the brain cells and touch the heart.
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A SONG AT TWILIGHT

Plus ça change, plus c’est la même chose.

21st Century society may have progressed considerably since the mid-1960s when Noël Coward wrote and starred in A Song At Twilight, but a cursory glance at today’s Hollywood makes it clear that even a half-century-old play can express contemporary truths, particularly when revived as splendidly as is the case this month and next at the Pasadena Playhouse.
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TARTUFFE

RECOMMENDED
A Noise Within opens its Spring 2014 season with the classical theater company’s own distinctive take on Molière’s classic French farce Tartuffe*, and though not the inspired revival audiences were treated to in Pericles, Cymbeline, and The Beaux Stratgem, this entertaining if at times overly dark production does at the very least make relevant points about the hypocrisy, greed, and corruption of (at least certain members of) the clergy.
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ABOVE THE FOLD


Three white North Carolina college frat boys accused of gang-raping an African-American stripper provide the incendiary framework for Above The Fold, Bernard Weinraub’s bracingly acidic look at politics circa 2014, race relations in today’s South, and print journalism in an increasingly cyber age—the World Premiere latest from the Pasadena Playhouse.
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