WICKED LIT 2015

Wicked Lit is back for 2015 at Altadena’s Mountain View Mausoleum And Cemetery, a venue so mysterious and spooky that it’s helped make this creepy, kooky trio of terrorific one-acts an annual L.A. tradition for the past half-dozen years and counting.
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SEVEN SPOTS ON THE SUN

A brutal civil war’s effects on the lives and psyches of the residents of a pair of neighboring Latin American villages gets examined—and grippingly so—in Martín Zimmerman’s gut-wrenchingly powerful Seven Spots On The Sun, now being given the kind of West Coast Premiere at Pasadena’s The Theatre @ Boston Court that most young playwrights can only dream of.
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REAL WOMEN HAVE CURVES

You don’t have to be Hispanic to fall in love with the full-figured Latinas celebrated in Josefina López’s Real Women Have Curves, nor do you have to travel to New York to see the crowd-pleasing comedy’s Broadway-caliber revival now playing at the historic Pasadena Playhouse.
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WATERFALL

Lovers don’t get any more star-crossed than Noppon and Katherine, the star-crossed lovers of Richard Maltby, Jr. and David Shire’s uber-romantic musical tearjerker Waterfall, now getting a gorgeously staged, gorgeously performed World Premiere production at the Pasadena Playhouse.
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THE ELLIOTS

RECOMMENDED

Readers have been rooting for Anne Elliot and Frederick Wentworth to rekindle their long-lost love since Jane Austen’s Persuasion first hit the book stalls back in 1817. L.A. theatergoers can now follow their example as South Pasadena’s Fremont Centre Theatre debuts A.J. Darby’s 2015 adaptation, retitled The Elliots. Yes, both Darby’s play and its World Premiere production could stand some tweaking, but Persuasion fans will find much to enjoy in two hours spent with Austen’s now iconic characters.
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MY BARKING DOG

RECOMMENDED

Performances are outstanding and the production design sensational, the director is Michael Michetti (need I say more?), and the ideas put forth are provocative, but an overreliance on monologs proves off-putting in the West Coast Premiere of Eric Cable’s two-hander My Barking Dog, the latest from The Theatre @ Boston Court.
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FIGARO

The very first West Coast staging of a 2012 World Premiere may not be what folks expect from A Noise Within given the company’s usual slate of Shakespeare, Shaw, Racine, Moliere, and other long-deceased playwrights, but that is precisely what California’s Home For The Classics now offers its audiences in Charles Moray’s Figaro, the frothiest, funniest, most farcical romp I’ve yet seen at ANW.
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JULIUS CAESAR

When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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