COLONY COLLAPSE

Overambitious Colony Collapse may well be, and run about fifteen minutes longer than it should, but Stefanie Zadravec’s interweaving of five crisscrossing monologs with a realistic family drama plus a mysterious girl inhabiting a world of her own add up to a compelling World Premiere for The Theatre @ Boston Court, one sure to provoke much post-performance discussion with its themes of children gone missing, family relationships broken by drug-addiction, and a mysterious disease that has caused the death of over ten million North American bees in the past ten years.
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ROMEO AND JULIET

Graffiti-covered inner-city walls, dumpsters, and assorted skid-row detritus provide a startling but effective backdrop for A Noise Within’s Romeo And Juliet, director Dámaso Rodríguez’s electrifying new look at the age-old classic.
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FLY

The Tuskegee Airmen take off to exhilarating, spellbinding, emotionally powerful effect as the Pasadena Playhouse presents Trey Ellis and Ricardo Khan’s Fly, a West Coast Premiere destined to be one of the year’s most lauded, most unforgettable productions.
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PETER PAN AND TINKER BELL – A PIRATES CHRISTMAS

RECOMMENDED

The distinctively English form of musical entertainment known as Panto is back for its fourth annual visit to the Pasadena Playhouse as Lithgoe Family Productions bring Southland audiences their delightfully performed and choreographed Peter Pan And Tinker Bell – A Pirates Christmas, a surefire child-pleaser, albeit one less likely than pantos past to attract audiences thirteen and older.
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BREAKING THROUGH

The tale being told may not be “as old as time,” but it’s certainly as old as the recording industry, or so aspiring singer-songwriter Charlie Jane discovers in Breaking Through, a World Premiere musical that, while breaking no new ground storywise, at the very least features a catchy pop-rock score, some exciting choreography, and a bunch of thoroughly winning performances.
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WICKED LIT 2015

Wicked Lit is back for 2015 at Altadena’s Mountain View Mausoleum And Cemetery, a venue so mysterious and spooky that it’s helped make this creepy, kooky trio of terrorific one-acts an annual L.A. tradition for the past half-dozen years and counting.
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SEVEN SPOTS ON THE SUN

A brutal civil war’s effects on the lives and psyches of the residents of a pair of neighboring Latin American villages gets examined—and grippingly so—in Martín Zimmerman’s gut-wrenchingly powerful Seven Spots On The Sun, now being given the kind of West Coast Premiere at Pasadena’s The Theatre @ Boston Court that most young playwrights can only dream of.
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REAL WOMEN HAVE CURVES

You don’t have to be Hispanic to fall in love with the full-figured Latinas celebrated in Josefina López’s Real Women Have Curves, nor do you have to travel to New York to see the crowd-pleasing comedy’s Broadway-caliber revival now playing at the historic Pasadena Playhouse.
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