OKLAHOMA!


As the orchestra plays the final notes of the overture, the curtain rises on a middle-aged woman sitting alone on stage in front of a butter churn, her hands around the plunger, methodically moving it up and down. Behind the woman is a farmhouse and fields of corn as high as an elephant’s eye, and her long country dress tells us we are in the early 1900s.  From offstage comes a male voice singing a capella, “There’s a bright golden haze on the meadow…” The voice grows louder until the man enters, wearing a cowboy hat and chaps. “Oh what a beautiful morning… Oh what a beautiful day,” serenades the man to the farm woman, who continues her churning.
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DEAD MAN’S CELL PHONE


A woman sits alone at a table in a nearly empty café.  Several yards away, at another table, a man’s cell phone rings. And rings. And rings. What else is the woman to do but go over to the man to see why he’s ignoring his phone. “Are you deaf?” she asks, then realizes the stupidity of her question.  Nothing to do but answer the phone herself and take a message. Then it hits her why the man isn’t responding.  She picks up a spoon from his table and holds it up to the man’s nose.  Nothing.  His cell phone still in her hand, she dials 911 and calmly informs the operator, “I think there’s a dead man sitting next to me.”
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AN ITALIAN STRAW HAT


When most people hear the word “vaudeville,” those who’ve heard of it probably think of a staged variety show with singers, comics, dance acts, magicians, and trained monkeys … or something of the like. At least that’s how I would have defined vaudeville before seeing An Italian Straw Hat: A Vaudeville, at South Coast Rep.
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EVITA

RECOMMENDED
In transforming Evita from a Broadway scale musical to an intimate theater “chamber” piece, The Chance Theater has undertaken its biggest challenge yet. Unlike The Last Five Years and Closer Than Ever, which were chamber musicals to begin with, or Into The Woods and Assassins, which have become intimate theater staples, Evita started off huge and usually remains a big cast/big orchestra item at regional CLOs.
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ORANGE FLOWER WATER

RECOMMENDED
A bit of advice for the SoCal theatergoer. Whenever you see the words, “written by Craig Wright,” don’t hesitate.  Just go.  The TV scribe most famous for Dirty Sexy Money and Six Feet Under is also an accomplished playwright, capable of writing comedy in the face of tragedy (Recent Tragic Events), testosterone-filled drama (Lady), and suspenseful tragedy (Grace). In Orange Flower Water, Wright takes a plot as old as humankind itself (adultery) and adds his unique voice to its repercussions on the cheaters and the cheated upon.
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IMAGINE


The best children’s theater, like the best Disney classics, is theater that’s not just for kids.  South Coast Repertory knows this well, and the latest entry of its “Theatre For Young Audiences” series is sure to delight not only children … but also the grownups they bring along.

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A NEW BRAIN


Patrick’s Pearson breathtakingly conceived production of William Finn’s A New Brain is the most dazzling display of young talent you’re likely to see this year.
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TAKING STEPS


British master of comedy Alan Ayckbourn turns his hand to farce in the hilarious Taking Steps, onstage now in an absolutely crackerjack production at South Coast Repertory.
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