GOLDFISH


John Kolvenbach’s unabashedly romantic take on life is front and center once again in his latest play, Goldfish, now getting a superb World Premiere production at South Coast Repertory.
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EVITA


No matter how many times you’ve seen Evita, you haven’t really seen it till you’ve seen Christa Jackson in the title role. As Eva Perón, Jackson gives one of the two or three most thrilling performances I’ve seen by a lead actress in a musical in the past several years. Directed and choreographed to perfection by the amazing Sha Newman, FCLO Music Theatre’s revival of the Andrew Lloyd Webber-Tim Rice blockbuster is that rare CLO production, one which could be transplanted to Broadway exactly as is. In other words, this Evita is out and out brilliant.
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NOISES OFF


Nobody loves farce more than the British, whether it’s plays like No Sex Please, We’re British, or Joe Orton’s What The Butler Saw, or Alan Ayckbourn’s Taking Steps, or any of Ray Cooney’s frantically-paced comic gems (Move Over Mrs. Markham, Run For Your Wife, etc.) These British farces are so popular that they not only get major professional productions throughout the world, they have also become a staple of community theaters, where unfortunately they don’t always get the caliber of actors required.  Only performers with a) total command of their lines, b) perfect coming timing, and c) absolute readiness to enter and exit on cue can do these comedies justice.
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JESUS HATES ME


Life in small town South Central Texas is anything but dull in Jesus Hates Me, Wayne Lemon’s quirky dark comedy getting its West Coast Premiere in a beautifully acted and directed (by Oanh Nguyen) production at Anaheim Hill’s Chance Theater.
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THE BALTIMORE WALTZ

NOT RECOMMENDED

Paula Vogel’s 1992 The Baltimore Waltz received the Obie for Best New American Play, yet has rarely if ever been performed locally. For this reason alone, Rude Guerrilla’s just opened production is sure to generate considerable interest. Director R.J. Romero writes that Vogel’s work has been “a major presence throughout my adult reading and theatre viewing life,” making it a certainty that love and care have gone into this production. Romero’s sound design is especially effective in creating a fanciful, romantic atmosphere, and his cast demonstrate real commitment to achieving the director’s goals.
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YOU NERO

RECOMMMENDED
Imagine a Mel Brooks spoof about the fabled Roman emperor Nero, or one written and performed by the Monty Python gang, or perhaps a classic Nero sketch from the 1950s’ Your Show Of Shows, with Sid Caesar as Nero.  Now, stretch it out to two acts with a running time of two hours and fifteen minutes and place it on the Julianne Argyros Stage at South Coast Repertory—and you have Amy Freed’s You, Nero.
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LOVE SONG


Rude Guerilla has scored a major coup in gaining the rights to present the Southern California premiere of Love Song, John Kolvenbach’s hilarious, captivating, quirky, one-of-a-kind romantic comedy (with a twist). Following its 2006 world premiere at Chicago’s renowned Steppenwolf and a London premiere (studded with American TV stars) later the same year, Love Song has gone on to regional and international acclaim. Why major L.A. theaters let this remarkable gem of a play slip them by is anyone’s guess, but their loss is Orange County’s gain—and Angelinos are hereby advised to take advantage of low gas prices by heading on down to Santa Ana to see what the rest of the world has been gushing about.
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JACOB MARLEY’S CHRISTMAS CAROL


Southern Californians may not be able to depend on snow before Christmas, but one thing is certain about our theater scene.  There will be Charles Dickens’ A Christmas Carols galore every year from November through December.
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