ORANGE FLOWER WATER

RECOMMENDED
A bit of advice for the SoCal theatergoer. Whenever you see the words, “written by Craig Wright,” don’t hesitate.  Just go.  The TV scribe most famous for Dirty Sexy Money and Six Feet Under is also an accomplished playwright, capable of writing comedy in the face of tragedy (Recent Tragic Events), testosterone-filled drama (Lady), and suspenseful tragedy (Grace). In Orange Flower Water, Wright takes a plot as old as humankind itself (adultery) and adds his unique voice to its repercussions on the cheaters and the cheated upon.
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IMAGINE


The best children’s theater, like the best Disney classics, is theater that’s not just for kids.  South Coast Repertory knows this well, and the latest entry of its “Theatre For Young Audiences” series is sure to delight not only children … but also the grownups they bring along.

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A NEW BRAIN


Patrick’s Pearson breathtakingly conceived production of William Finn’s A New Brain is the most dazzling display of young talent you’re likely to see this year.
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TAKING STEPS


British master of comedy Alan Ayckbourn turns his hand to farce in the hilarious Taking Steps, onstage now in an absolutely crackerjack production at South Coast Repertory.
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RABBIT HOLE


David Lindsay-Abaire’s Rabbit Hole, winner of the 2007 Pulitzer Prize for Drama, is making its Orange County debut in an absolutely brilliant production by the  award-winning Chance Theater.  Spoilers abound in this review, so if you know nothing about Rabbit Hole’s plot, read no further. Simply pick up the phone or go online and make a reservation to see it. Rabbit Hole is the kind of play where the less you know about it, the more it will affect you, and affect you it will … deeply. 
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THE BRAIN FROM PLANET X


If you’ve ever groaned through a 1950s Grade Z Hollywood sci fi flick, you are sure to enjoy Bruce Kimmel’s musical comedy spoof The Brain From Planet X.  
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OLIVER


Two decades before the British invasion of the 1980s, which transformed Broadway into an American “West End” with shows like Cats, Les Miz, Phantom, and Miss Saigon, a triple-threat British writer/composer/lyricist named Lionel Bart created a musical which may well outlive all of the above, a show by the name of Oliver.
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THE INJURED PARTY


South Coast Repertory has a bonafide hit on its hands. Richard Greenberg’s latest, The Injured Party, is one of the most exciting plays I’ve seen since John Guare’s Six Degrees Of Separation, a work which it shares a number of common themes with.  Both deal with family, love, art, money and ambition among New York’s very rich. Both are exceedingly smart without being pretentious.  Like Six Degrees, The Injured Party features a gay lead character whose sexual orientation is not central to the story. Both plays keep you riveted from curtain up to curtain calls.
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