PROBLEM CHILD


The comedy is dark indeed in George F. Walker’s Problem Child, and thanks to Walker’s twisted take on life and a quartet of pitch-perfect performances, this Bella Productions/Actor’s Workout Studio production is black comedy at its blackest and funniest.
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O JERUSALEM


What if several months before the events of 9/11, an important U.S. government official had learned of a planned terrorist attack—by air, on an Eastern city, in September?  Could the attacks on the World Trade Center have been prevented had this official spoken to the right higher-ups?  This hypothetical (or is it?) situation is the basis of O Jerusalem, by A.R. Gurney, now getting a first-rate Los Angeles premiere by The Production Company.
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GIRL’S ROOM


Take West Side Story’s original Maria and A Chorus Line’s original Cassie and star them together in 2008 and you have, as Girl’s Room’s publicity proclaims, two veritable Broadway legends sharing the same stage for the first time, and more than enough reason to catch Joni Fritz’s ingratiating dramedy during its limited engagement at the El Portal.
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M BUTTERFLY


David Henry Hwang was inspired to write the Tony Award-winning M Butterfly by the Ripley’s Believe It Or Not-worthy real-life case of a French diplomat who carried on a 20-year affair with a Chinese Opera performer, never once suspecting that the love of his life was a man pretending to be a woman. It was only when charged with treason (for having passed on sensitive political information to his “mister-ess”) that the diplomat found out that his “she” was in fact a “he.”
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THE FRIENDLY HOUR


Playwright Tom Jacobson finds greatness in the “small” lives of a group of South Dakota housewives in his newest play, The Friendly Hour, being given a splendid World Premiere Production at the always splendid The Road Theater.
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SUMMER SIZZLE ONE-ACT FESTIVAL

NOT RECOMMENDED

The Production Company is taking a break from its usual full length fare (following their much lauded Mrs. Warren’s Profession and preceding the much anticipated M Butterfly) to give 8 local playwrights the opportunity to show off their comic wares in The Summer Sizzle One-Act Play Festival (and competition).
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MRS. WARREN’S PROFESSION


With eight fully staged productions in a scant ten months, The Production Company (aka TheProdCo) has quickly established itself as Los Angeles’ most prolific new theater company.  It is also one of the most consistently reliable, opening one excellent production only days after the preceding has closed, with yet another in rehearsal. Amazing!
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RESPECT: THE GIRL EM-POWERED MUSICAL


Time was when a woman was nothing without a man, and if she ever made the mistake of throwing the bum out, it was only a matter of time until she took all the blame and begged him to return.  Need proof? Just sing a few bars of “Bill Bailey Won’t You Please Come Home?” and you’ll see how true this was back at the turn of the last century:
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