METAMORPHOSES

RECOMMENDED
Athena Theatre has undertaken its biggest challenge yet in staging an Equity waiver production of Mary Zimmerman’s Metamorphoses.
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BETRAYAL


In the year 1999, Jerry confesses to Emma, his best friend’s wife, that he has loved her since he was best man at her wedding to Robert, and they begin an affair which goes on for years. In 2008, two years after ending the affair, Jerry and Emma meet again. With her marriage breaking up, she needs someone to talk to. In the course of conversation, Emma reveals (to Jerry’s dismay) that Robert knew about (and didn’t particularly mind) their affair. Indeed, says Emma, he knew about it as far back as 2004.
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AMERICAN TALES


The Anateus Company opens its 2008 ClassicsFest series (of 8 works in progress and 6 “first looks”) with a world premiere fully staged production of a pair of absolutely charming one-act chamber musicals, billed together as American  Tales. 
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IN ON IT

NOT RECOMMENDED

In Daniel MacIvor’s In On It, two actors perform on a bare black stage, their sole “props” being a pair of chairs and a gray suit jacket. Who are these two men? Are they actors? Writers? Students in an acting class? They seem to be preparing a play or movie about someone named Ray who was involved in an accident. At various times, both performers (named “This One” and “That One”) don the jacket to become Ray, or doff it to portray one of the other characters in Ray’s life.  Other scenes between the two men, a gay couple, have them discussing their work in progress.  Still others seem to be flashbacks from their past.

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PEST CONTROL


Pest Control The Musical may well be the most visually and technically spectacular musical ever staged in a 99-seat L.A. area theater.  Its cast is a mix of stars with major Broadway credits and some of our finest local talents. Director- choreographer James J. Mellon and his Open At The Top Productions have mounted a sensational world premiere musical where only the number of seats is small.
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LADY


Craig Wright may be most familiar as the writer/(executive) producer of TV’s Dirty Sexy Money and Six Feet under, but theatergoers know him as a prodigious playwright, the author of such radically different fare as Orange Flower Water, Grace, and Recent Tragic events, all three of which have had superb L.A. productions over the past two years. Orange Flower Water is a harrowing drama of adultery, Grace mixes that theme with evangelical Christianity, and Recent Tragic Events dares to imagine a screwball comedy taking place the day after 9-11.  Now comes the West Coast Premiere of 2007’s Lady, and the trio of outstanding local productions of Wright’s work is now a quartet.
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CORPUS CHRISTI


MCCV’s brilliantly directed and exquisitely performed production of Terrence McNally’s Corpus Christi is currently thrilling audiences at the Edinburgh Festival Fringe, moving them to laughter and tears as it did the many Southern (and Northern) Californians who saw it over the course of its one year journey to Scotland.
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THE CONCEPT OF REMAINDERS


Richard Martin Hirsch proves himself not only prolific (4 plays produced locally in the last two years) but versatile par excellence with his latest (and best) work.  After The Quality Of Light (a May-September romance set in France), Atonement (an engrossing character study of a Jewish writer in crisis), and this winter’s The Monkey Jar (a “from today’s headlines” drama about a child accused of threatening his teacher with a handgun), Hirsch now turns his considerable talents to comedy with a sexy adult concoction entitled The Concept Of Remainders.
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