GOTHMAS
Saturday, April 11th, 2009NOT RECOMMENDED
When a show’s pre-performance announcements include the warning “Rated R for adult situations and fucking,” you know you’re in for something different. That something is Gothmas, billed as a “dark, holiday, horror, bisexual, romantic, funny, feel-weird rock musical for the whole family (no children).” The show is indeed dark, and features holidays from Halloween to Thanksgiving to Christmas to Valentine’s Day—and horror (one character is axed to bits). A few characters are gay and one is bi. It’s sometimes quite funny (in a weird sort of way), and the songs have a grunge rock sound to them. It’s certainly not for children nor is it likely for the average L.A. theater audience, but those who’ve made The Rocky Horror Show a cult hit may eat it up.
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THE MANCHURIAN CANDIDATE
Friday, April 3rd, 2009
Transforming The Manchurian Candidate, one of the most lauded suspense films of the 1960s, into a live stage production is no easy feat. John Frankenheimer’s 1962 tale of a Korean War vet brainwashed into becoming a political assassin was not only brilliant film making but tapped into the Red Scare hysteria that brought about the McCarthy hearings and a bunch of anti-communist films like The Red Menace and I Married A Communist. (Frankenheimer’s film was based on Richard Condon’s 1959 novel.) Though John Lahr’s 1994 stage adaptation ends up closer to Jonathan Demme’s 2004 remake than to the original, what’s important to playgoers is that Lahr’s suspense drama accomplishes the rare task of keeping a live theater audience on the edge of their seats from its first scene to its shattering conclusion. Even more noteworthy than the success of the adaptation is the fact that August Viverito and T L Kolman’s The Production Company has managed to squeeze a widescreen movie onto a “matchbook”-sized set with truly impressive results.
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A SKULL IN CONNEMARA
Thursday, March 12th, 2009
The residents of Connemara, a small town in rural Galway, Ireland, appear not to need television or the movies for diversion. They’ve got each other—and their secrets and gossip and gleefully traded insults—to keep themselves and each other entertained night and day.
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BRAM STOKER’S DRACULA
Saturday, February 21st, 2009
Though he never appears on stage during the play’s 90-minute running time, the real star of Bram Stoker’s Dracula, currently wowing North Hollywood audiences, is the man who conceived and directed the supernaturally screamalicious production—Ken Sawyer. In lesser hands, and without the state-of-the-art sound and lighting equipment at the NoHo Arts Center, Hamilton Dean and John L. Balderston’s stage play might be a campy, creaky mess. Instead, it is an entirely thrilling evening of theater which provides the pleasures of the greatest horror films—shocks and screams galore—in three dimensions and surround sound.
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THE TWILIGHT OF THE GOLDS
Friday, February 6th, 2009
What would you do if a simple test early in pregnancy could determine whether or not your child would be born with a physical defect or a propensity towards a debilitating illness? What if such a test could even tell you what your unborn child’s sexual orientation might be?
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THE BIRD AND MR. BANKS
Friday, January 16th, 2009
How, you might wonder, could a middle-aged nebbish of an accountant named Seymour Banks have become the FBI’s most wanted man in America? The answer to this puzzler can be found in Keith Huff’s quirky, original, and entirely unpredictable dark comedy, The Bird And Mr. Banks, now getting its West Coast Premiere at the illustrious Road Theatre.
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LOVE’S LABOR’S LOST
Friday, December 26th, 2008
I have a confession. I’m not the worlds biggest Shakespeare fan. Yes, I know that as a theater reviewer it’s my “duty” to love the Bard, so sue me for saying that I often get lost in his convoluted plots, whole chunks of dialog whizzing past me or over my head without really sinking in. Thus, when I tell you that I thoroughly enjoyed (and had very little difficulty following) The Porters of Hellsgate’s production of Love’s Labor’s Lost, this is high praise indeed.
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SMOKEY JOE’S CAFÉ
Saturday, December 13th, 2008
Fans of 1950s rock and pop will be in Top 40 heaven with the El Portal Theatre’s revival of the 1995 Broadway smash Smokey Joe’s Café, featuring three dozen of the greatest hits of rock-and-roll songwriting legends Jerry Leiber and Mike Stoller.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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