THE MUSCLES IN OUR TOES
Saturday, May 30th, 2009
The last time there was a 20th high school reunion at the El Portal Forum Theatre, the returning grads were a quartet of 60s-hits-singing housewives who called themselves The Marvelous Wonderettes. In Stephen Belber’s just opened The Muscles In Our Toes, the returnees are four male buddies and the music providing a soundtrack to their reunion is performed by Culture Club, Eurythmics, and other 1980s icons. Whereas The Marvelous Wonderettes was light and fluffy fun, The Muscles In Our Toes makes for far darker fare, at times shocking, but often hilarious in its own edgy way.
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BREAKING THE CODE
Friday, May 15th, 2009
Superbly directed by Robert Mammana and featuring a tour de force lead performance by M Butterfly’s Sam R. Ross, Breaking The Code is, simply put, must-see theater. Despite its 1930s to 1950s English setting, Hugh Whitemore’s biodrama remains vital and relevant to 21st Century America, both as a reminder of a time not so long ago when a confession of homosexual acts could send a man to prison, and as proof that “the more things change, the more they stay the same.”
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THE COLUMBINE PROJECT
Saturday, April 25th, 2009
Paul Storiale’s The Columbine Project attempts the impossible—to document, explore, and try to make sense of the 1999 massacre of twelve students and one teacher at Columbine High School, outside of Denver, Colorado. Against all odds, The Columbine Project proves a triumph for the writer-producer-director and his cast of twenty-one mostly very young actors. That Storiale has been able not only to explore the hows and whys of that most horrific of days, but that he has also somehow managed to fill his stage with nearly two dozen gifted performers is nothing short of miraculous.
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NO WAY TO TREAT A LADY
Sunday, April 19th, 2009
A serial killer is on the loose in New York, strangling elderly women one by one, and leaving a lipstick kiss on the forehead of each of his victims. Hardly the stuff of musical theater, you might think.
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GOTHMAS
Saturday, April 11th, 2009NOT RECOMMENDED
When a show’s pre-performance announcements include the warning “Rated R for adult situations and fucking,” you know you’re in for something different. That something is Gothmas, billed as a “dark, holiday, horror, bisexual, romantic, funny, feel-weird rock musical for the whole family (no children).” The show is indeed dark, and features holidays from Halloween to Thanksgiving to Christmas to Valentine’s Day—and horror (one character is axed to bits). A few characters are gay and one is bi. It’s sometimes quite funny (in a weird sort of way), and the songs have a grunge rock sound to them. It’s certainly not for children nor is it likely for the average L.A. theater audience, but those who’ve made The Rocky Horror Show a cult hit may eat it up.
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THE MANCHURIAN CANDIDATE
Friday, April 3rd, 2009
Transforming The Manchurian Candidate, one of the most lauded suspense films of the 1960s, into a live stage production is no easy feat. John Frankenheimer’s 1962 tale of a Korean War vet brainwashed into becoming a political assassin was not only brilliant film making but tapped into the Red Scare hysteria that brought about the McCarthy hearings and a bunch of anti-communist films like The Red Menace and I Married A Communist. (Frankenheimer’s film was based on Richard Condon’s 1959 novel.) Though John Lahr’s 1994 stage adaptation ends up closer to Jonathan Demme’s 2004 remake than to the original, what’s important to playgoers is that Lahr’s suspense drama accomplishes the rare task of keeping a live theater audience on the edge of their seats from its first scene to its shattering conclusion. Even more noteworthy than the success of the adaptation is the fact that August Viverito and T L Kolman’s The Production Company has managed to squeeze a widescreen movie onto a “matchbook”-sized set with truly impressive results.
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A SKULL IN CONNEMARA
Thursday, March 12th, 2009
The residents of Connemara, a small town in rural Galway, Ireland, appear not to need television or the movies for diversion. They’ve got each other—and their secrets and gossip and gleefully traded insults—to keep themselves and each other entertained night and day.
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BRAM STOKER’S DRACULA
Saturday, February 21st, 2009
Though he never appears on stage during the play’s 90-minute running time, the real star of Bram Stoker’s Dracula, currently wowing North Hollywood audiences, is the man who conceived and directed the supernaturally screamalicious production—Ken Sawyer. In lesser hands, and without the state-of-the-art sound and lighting equipment at the NoHo Arts Center, Hamilton Dean and John L. Balderston’s stage play might be a campy, creaky mess. Instead, it is an entirely thrilling evening of theater which provides the pleasures of the greatest horror films—shocks and screams galore—in three dimensions and surround sound.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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