AS WHITE AS O
Friday, October 23rd, 2009RECOMMENDED
Synesthesia is a neurological condition involving an involuntary cross-wiring of the senses, in which people may taste what they feel, smell what they touch, and see letters in color, something like this: 
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SWEENEY TODD
Saturday, October 3rd, 2009
Anyone in need of proof that theatrical miracles can indeed take place in our fair city need look no further than The Production Company’s miraculous new revival of Stephen Sondheim’s Sweeney Todd—miraculous because who could possibly imagine Sondheim’s big-stage, big-cast musical scaled down to a stage area about one-tenth the size of the Ahmanson’s with a cast totaling only ten—and having it work to near perfection?
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CHILDREN OF A LESSER GOD
Thursday, September 24th, 2009
It’s been thirty years since Mark Medoff’s Children Of A Lesser Gods opened theatergoers’ eyes to a new world, a silent world in which hand gestures take the place of the spoken word, and to a character who steadfastly refuses to venture out into what most would call “the real world.” Technological breakthroughs since 1979, particularly the growth of the Internet and more recent developments like cell phone texting, have considerably reduced the schism between the hearing and deaf worlds. Still, as Deaf West Theatre’s fine 30th Anniversary production of the Tony, Drama Desk, and Olivier Award-winning play makes clear, the deaf world and that of hearing people remain very different indeed.
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GROSS INDECENCY
Friday, September 4th, 2009RECOMMENDED
When contemporary theatergoers hear the name Oscar Wilde, probably the first thing that pops into most of their heads is Wilde’s oft-performed classic comedy The Importance Of Being Earnest, or perhaps one of his many famous sayings. (“Always forgive your enemies; nothing annoys them so much.” “Anyone who lives within their means suffers from a lack of imagination.” “One should always play fairly when one has the winning cards.”) The Oscar we meet in Moisés Kaufman’s Gross Indecency (subtitled The Three Trials Of Oscar Wilde) is quite a different one.
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VISITING MR. GREEN
Saturday, August 29th, 2009
The “Odd Couple Two-Hander” has become something of a Colony Theatre specialty over the past few years. Take a mismatched duo, put them in the same space, and watch the sparks fly. The two characters can be the same sex or opposite, they can be the same age or decades apart, and the space in which they find themselves can be indoors or outdoors. All that is required is that those sparks start flying.
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40 IS THE NEW 15
Wednesday, August 5th, 2009RECOMMENDED
Five former high school classmates turning 40 reflect on the ways their lives have changed over the past quarter century in 40 Is The New 15, a new musical by Larry Todd Johnson and Cindy O’Connor. Though “workshop” would be a more appropriate description of this not quite fully-staged production, tuneful, clever songs, an engrossing storyline, and a quintet of fine performances make this an entertaining, moving, and very promising evening of musical theater.
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DOG SEES GOD
Sunday, July 26th, 2009RECOMMENDED
Bert V. Royal’s Dog Sees God: Confessions of a Teenage Blockhead imagines the lives of a group of high schoolers suspiciously similar to teenage versions of Charlie Brown and the rest of the Peanuts gang. Though legal considerations require a “has not been authorized or approved in any manner by the Charles M. Schultz Estate” disclaimer, fans of the comic strip will recognize CB (whose pet beagle has just been put down for rabies, though not before tearing to shreds “a little yellow bird who used to hang around”), Beethoven (a sensitive i.e. gay piano prodigy), Tricia (née Patricia formerly Patty, of the Peppermint variety) and her best friend Marcy (who used to spell her name with an –ie), Matt (a once dirt-cloud-plagued kid turned tough guy germo-homophobe), and Van (a stoner currently mourning the death-by-fire of his beloved blanket). CB’s sister and Van’s (neither of whom are referred to by name) complete the gang.
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THE LIGHT IN THE PIAZZA
Friday, July 10th, 2009
Adam Guettel and Craig Lucas’ The Light In The Piazza is the most exquisite musical to come from Broadway in many years. The story of a mother and daughter who travel to Italy in the summer of 1953, Piazza was nominated for eleven Tony awards in 2005 and won six, including one for Guettel’s score. Most of its other wins were in design categories, most notably for Michael Yeargan’s superb scenic design. In fact, the Broadway and touring company sets were so breathtakingly beautiful that at times they may even have overshadowed the material, particularly Lucas’ complex, haunting music.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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