THE CURSE OF OEDIPUS

Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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FLOWER DUET

Marriage is “till death do us part”—except when it isn’t—or so Max and Stephanie and Sandy and Maddie discover in Maura Campbell’s provocative Flower Duet, now getting its West Coast Premiere at North Hollywood’s Road Theatre following a 2010 World Premiere in Burlington, Vermont.
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THE HYPOCHONDRIAC

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Moliere’s The Imaginary Invalid gets trimmed down from three acts to a fast-moving fifty-minutes as Zombie Joe’s Underground Theatre presents Roger K. Weiss’s The Hypochondriac, and thought results fall short of the brilliance of December’s A Christmas Carol, there are laughs aplenty to be had.
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TARZAN: THE MUSICAL

The stage adaptation of the smash 1999 Disney animated feature Tarzan has finally arrived in Los Angeles eight years after its Broadway debut, and if the intimate staging now playing at North Hollywood’s El Portal doesn’t do quite everything right, it makes for a highly entertaining show for audiences five and up.
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BE A GOOD LITTLE WIDOW

The thin line between comedy and tragedy is tread quite astonishingly well by Bekah Brunstetter in her 2011 play Be A Good Little Widow, now getting a pitch-perfect Los Angeles Premiere, one that exemplifies intimate L.A. theater at its finest.
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TOP GIRLS


English playwright Caryl Churchill examines what it takes to be a “top girl” in the dog-eat-dog world we call business in her challenging, thought-provoking 1982 drama Top Girls, the terrific latest from The Antaeus Company and a tailor-made showcase for a baker’s dozen of L.A.’s finest working actresses.
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THE FOREIGNER


A shy, repressed Englishman with the personality of a wet noodle discovers his own inner greatness by pretending not to speak a word of his native tongue in Larry Shue’s The Foreigner, not only one of the 20th Century’s funniest plays, but one of the century’s truly great comedies, one whose revival by Crown City Theatre Company will leave you delirious with laughter and brimming with joy.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE


One of this century’s most entertaining and original new musicals, William Finn’s 2005 Broadway smash The 25th Annual Putnam County Spelling Bee, returns to delight L.A. audiences in a fabulous 99-seat production at North Hollywood’s El Portal Theatre, one which features an all-around brilliant cast under the inspired direction of Kristin Towers-Rowles
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