ONLY THE MOON HOWLS

Star-crossed love gets a fresh new highly theatrical spin as Theatre Unleashed gives Dean Farell Bruggeman’s 50-minute Hollywood Fringe Festival gem, Only The Moon Howls, a thoroughly engaging first full staging.
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BROKEN FENCES

The effects of urban gentrification on two Chicago couples, one upwardly mobile and white, the other financially challenged and black, are examined in Broken Fences, a Road Theatre Company World Premiere whose star performances and impressive production design largely overcome the tonal inconsistencies and missed opportunities of Steven Simoncic’s thought-provoking, often quite powerful script.
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TIMESHARE

RECOMMENDED

A ragtag sales staff’s attempts to convince would-be buyers to take a chance on the proverbial “deal of a lifetime” add up to a series of wild-and-wacky Act One vignettes till a pre-intermission plot twist sends Steve B. Green’s World Premiere comedy Timeshare into darker, somewhat less successful territory.
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ANOTHER ANTIGONE

RECOMMENDED

A.R. Gurney’s smartly comic look at university life (and the Greek classics) circa the late 1980s gets a welcome if imperfect revival at The Group Rep, one that could benefit from a more assured directorial vision and a more credible female lead performance.
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THAT LOVIN’ FEELIN’

1960s blue-eyed soul lives again in That Lovin’ Feelin’, a Twin Cities dinner theater hit now being given a West Coast Premiere that transcends James A. Zimmerman’s rather by-the-number script thanks largely to the thrilling musical performances of Morgan Lauff as Bill Medley and Brenden MacDonald as Bobby Hatfield, aka The Righteous Brothers.
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WHO KILLED SANTA?

The white-bearded Fat Man In Red has been candy-caned to death and it’s up to the audience to decide who amongst five iconic Christmas characters “dunit” in Neil Haven’s Avenue Q-inspired, R-rated Who Killed Santa?, a Milwaukee perennial since 2008 now making its West Coast debut at Theatre 68, and while those who insist upon sophistication, refinement, and wit may want to look elsewhere for their holiday entertainment, Haven’s cult smash does what it sets out to do. It makes you laugh.
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NUNSENSE

The gals in black-and-white are back as Crown City Theatre celebrates three decades of Nunsense with a crowd-pleasing 30th-anniversary revival that makes it abundantly clear why Dan Goggin’s Singing-Nuns Musical took New York by storm back in ’85 before going on to become the 2nd-longest-running show in off-Broadway history. (Talk about Fantastick!)
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ALICE!

Director Denise Devin has done it again, making theatrical magic on a shoestring over at Zombie Joe’s Underground Theatre with Alice!, her supremely imaginative, delectably comedic adults-only musical take on Lewis Carroll.
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