THE WOMAN IN BLACK

Theatre Unleashed offers Halloween season audiences an entertaining and occasionally shiver-and-gasp-worthy intimate staging of the three-decades-long-running West End smash “ghost play” The Woman In Black minus the full quotient of horror-movie chills a bigger-bucks production could provide.
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STUPID KID

Folks are dumb where Chick Ford comes from, which is why you may be excused for assuming at first that Sharr White’s Stupid Kid has nothing but poor white trash jokes in store for audiences at The Road On Magnolia. But think again. Chick and his kinfolk are about to reveal far more about the Eastern Colorado Fords than initially meets the eye.
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SOMEWHERE IN THE MIDDLE (OR GUESS WHO’S COMING FOR PASSOVER)

A Catholic mom, her Jewish husband and mother-in-law, and a couple of kids raised somewhere in the middle. Meet the protagonists of Gary Lamb’s Somewhere in the Middle (or guess who’s coming for Passover), a World Premiere Crown City Theatre Company dramedy that transcends its “Very Special Episode” premise to make for a discussion-prompting, terrifically acted look at the religious ties that rarely bind in today’s polarized world.
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DIAL “M” FOR MURDER

The Group Rep starts the summer off with a stylishly directed, classily designed, mostly quite well-cast revival of Frederick Knott’s classic 1952 thriller Dial “M” For Murder.
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I AM NOT A COMEDIAN … I’M LENNY BRUCE

Ronnie Marmo brings the ground-breaking standup comic legend Lenny Bruce back to scabrously funny, heartbreakingly poignant life in I Am Not A Comedian … I’m Lenny Bruce, the latest from Theatre 68.
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LEGALLY BLONDE

Elle Woods wins cases and hearts once again as Cupcake Theater entertains SoCal audiences with a dynamically performed Legally Blonde, marred on opening night by some serious technical glitches but worth a standing ovation for Arri Leigh’s star-making performance as the most bodaciously brainy blonde beauty Harvard University has ever seen.
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THE LYONS

Ben, Rita, Lisa, and Curtis Lyons give the Lomans, the Tyrones, and the Giddenses a run for their dysfunctional family money, albeit with considerably more laughter-provoking results in Nicky Silver’s The Lyons, the latest darkly comedic bit of brilliance from The Road Theatre Company, a Los Angeles Premiere incisively directed by Scott Alan Smith.
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OF MICE AND MEN

Spencer Cantrell and Gregory Crafts give riveting performances as migrant farm workers George and Lenny in Theatre Unleashed’s intimate revival of John Steinbeck’s classic tale of human loneliness and impossible dreams, the 20th-century classic Of Mice And Men.
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