BACON


Wesley Guimarães and Jack Lancaster deliver a pair of searing star turns as 19-year-old Londoners with an explosive shared past history in Sophie Swithinbank’s Bacon, brilliantly reconceived by director Michael Matthews for its West Coast Premiere at Rogue Machine Theatre.
(read more)

SONDHEIM’S OLD FRIENDS


Over three dozen of the greatest songs ever written for the musical theater stage, a cast of fifteen Broadway and West End vets headed by superstars Bernadette Peters and Lea Salonga and backed by a fourteen-piece orchestra, and the most gorgeous of production designs add up to over two-and-a-half hours of musical theater bliss in Center Theatre Group’s pre-Broadway engagement of the smash West End revue Sondheim’s Old Friends.
(read more)

FAKE IT UNTIL YOU MAKE IT

Multiple mistaken identities, a slew of slammed doors, and plenty of physical comedy spark Larissa FastHorse’s hilarious if not quite fabulous World Premiere satiric culture-clash farce Fake It Until You Make It at the Mark Taper Forum.
(read more)

EVANSTON SALT COSTS CLIMBING

Characters whose eccentricities are carried to the extreme and a plot whose raison d’être escapes me are two reasons why Rogue Machine Theatre’s West Coast Premiere of Will Albery’s Evanston Salt Costs Climbing proves a major disappointment from the playwright and company who gave us one of 2023’s most critically acclaimed box office successes with Heroes Of The Fourth Turning.
(read more)

ONCE UPON A MATTRESS


A supercharged lead performance by triple-threat extraordinaire Sutton Foster and Amy Sherman-Paladino’s freshly adapted book are just two reasons to celebrate the December arrival at the Ahmanson of Once Upon A Mattress direct from its Broadway run.
(read more)

THE GODDAMN COUPLE DOWN THE HALL (OH… AND MERRY CHRISTMAS)


Your favorite Hallmark Christmas movie meets Alfred Hitchcock’s Rear Window meets the Farrelly Brothers at Theatre West in Mark Wilding’s wild-and-wacky, expectations-subverting The Goddamn Couple Down the Hall (Oh… and Merry Christmas), the appetizingly astringent antidote to all the sugar-sweet holiday fare playing around town this time of year.
(read more)

THE HUNCHBACK OF NOTRE DAME


CASA 0101 triumphs like never before with the musical stage adaptation of Victor Hugo’s The Hunchback Of Notre Dame in a production that more than holds its own against L.A.’s most prestigious 99-seat theaters.
(read more)

DRY LAND


Dry Land, Ruby Rae Spiegel’s darkly comic, graphically disturbing off-off-Broadway play about a high school swimmer desperate to terminate her unwanted pregnancy by whatever means possible, returns to Los Angeles in an impressive limited-run guest production at the Atwater Village Theatre.
(read more)

« Older Entries « Older Entries