CALIFORNIA STORY

There may be times when, as the saying goes, two much is indeed not enough, but in the case of Roger Q. Mason’s audacious but overly ambitious, overlong California Story, too much is just that. Too much.
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TASTY LITTLE RABBIT


Is it pornography or is it art? That is the question posed by prolific playwright Tom Jacobson in his provocative latest, Tasty Little Rabbit, now tantalizing audiences at Moving Arts.
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LIFE OF PI


Not since War Horse has there been a theatrical experience as spectacular as Life Of Pi, the Tony-winning Broadway smash now dazzling L.A. audiences with its life-sized animal puppets, it cinematic spectacle, and Taha Mandviwala’s star-making performance in the title role.
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THE WINTER’S TALE


If you’ve ever wished Shakespearean English weren’t so darned hard to understand (I certainly have), then Tracy Young’s modern verse translation of The Winter’s Tale, the sparklingly performed latest from Skylight Theatre Company, is the Shakespeare production for you and for me.
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BAT BOY: THE MUSICAL EXTENSION


Branden Lee Roth puts his own engaging stamp on the title role of  Open Fist Theatre Company’s Bat Boy: The Musical, his fortuitous arrival enabling the wild, weird, and wacky L.A.-born, off-Broadway-bred crowd-pleaser to extend its run at the Atwater Village Theatre.
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CORKTOWN ’39


Tensions reach a breaking point when an Irish-American family finds itself knee-deep in an assassination plot in John Fazakerley’s slow-boiling thriller Corktown ‘39, another sensational Rogue Machine Theatre Company World Premiere.
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MEMORY LANE IS A DESERT ROAD


A daughter sifts through her war correspondent father’s photos to better understand his life and her own in Nabra Nelson and Michael B. Nelson’s autobiographical gem Memory Lane Is A Desert Road, a World Premiere drama strikingly staged and terrifically performed by the young artists of Eight Ball Theatre.
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ONE JEWISH BOY


Is love enough to keep a couple together when one of them has been the victim of hate crime he simply can’t get past? This is the question posed by English playwright Stephen Laughton in his gut-punchingly powerful One Jewish Boy, now getting a compelling West Coast premiere at Echo Theater Company.
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