THE HUNCHBACK OF NOTRE DAME
Saturday, November 23rd, 2024
CASA 0101 triumphs like never before with the musical stage adaptation of Victor Hugo’s The Hunchback Of Notre Dame in a production that more than holds its own against L.A.’s most prestigious 99-seat theaters.
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DRY LAND
Friday, November 22nd, 2024
Dry Land, Ruby Rae Spiegel’s darkly comic, graphically disturbing off-off-Broadway play about a high school swimmer desperate to terminate her unwanted pregnancy by whatever means possible, returns to Los Angeles in an impressive limited-run guest production at the Atwater Village Theatre.
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FIRST DATE
Sunday, November 17th, 2024
Chromolume Theater is back after a six-year hiatus with a sparklingly performed intimate revival of the smart, funny 2013 Broadway romcom musical First Date.
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PACIFIC OVERTURES
Monday, November 11th, 2024
Stephen Sondheim fans could not wish for a more spectacular pick-me-up from post-election blues than East West Players’ Broadway-couldn’t-do-it-better production of Sondheim and John Weidman’s rarely-revived 1976 classic Pacific Overtures.
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ANTÍKONI
Monday, November 11th, 2024If Greek tragedy and/or Native American folklore are your thing, Native Voices’ World Premiere production of Beth Piatote’s Antíkoni may be right up your alley. I, unfortunately, found my interest flagging and my mind drifting almost from the get-go.
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THE 22+ WEDDINGS OF HUGO MULITPLE
Friday, November 1st, 2024
Latino Theater Company treats L.A. audiences to a rarity in this city of almost a million-and-a-half Spanish speakers, teatro en español (with English supertitles) thanks to Gala Hispanic Theater’s The 22+ Weddings Of Hugo Multiple, Gustavo Ott’s simply marvelous look at love and immigration in today’s America.
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CAROLE COOK DIED FOR MY SINS
Friday, October 25th, 2024A sumptuous production design and a theatrical venue in L.A.’s hip Los Feliz district help distinguish Mason McCulley’s Carole Cook Died For My Sins from the slew of autobiographical solo performances on stage each summer at the Hollywood Fringe Festival.
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I, DANIEL BLAKE
Wednesday, October 16th, 2024Brilliant performances and dazzling production design aside, Dave Johns’ unrelentingly bleak stage adaptation of I, Daniel Blake, Ken Loach’s Kafkaesque 2016 film about a good man living a British bureaucratic nightmare is the most depressing 90 minutes I’ve spent in a theater in a very long time.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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