BARNUM

Seven stellar triple-threat featured performers and some particularly ingenious directorial touches made Musical Theatre Guild’s one-night-only concert staged reading of the 1980 Broadway hit Barnum worth seeing despite a title performance not up to MTG standards.
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ANNIE

A nation in the midst of its gravest economic crisis. Out-of-work Americans on the streets. Underage orphans forced into backbreaking labor. And a perky little redhead with an unquenchable hope for a better “Tomorrow.” Annie The Musical is back at Glendale Centre Theatre, proving that even the grimmest of times can inspire the most cheerful, delightful, and tuneful of musical comedy treats.
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THE CAUCASIAN CHALK CIRCLE

Masterfully inventive direction and a marvelously multi-talented cast work theatrical alchemy on Bertolt Brecht’s The Caucasian Chalk Circle, the latest Antaeus Theatre Company triumph.
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THE SPITFIRE GRILL

Cast members doubling as the band add a fresh, innovative twist to Garry Marshall Theatre’s captivating revival of the 2001 off-Broadway musical hit The Spitfire Grill.
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LADY DAY AT EMERSON’S BAR & GRILL

Billie Holiday sings again at the Garry Marshall Theatre in Deidrie Henry’s searing tour-de-force star turn in Lanie Robertson’s Lady Day At Emerson’s Bar & Grill.
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THE END OF SEX (OR WHAT’S WRONG WITH MOM)

A menopausal wife informs her husband of thirty-five years that she never wants to have sex again, not with him, not with anybody. A young wife’s sudden success threatens a husband whose career isn’t going nearly as well. Gay Walch’s The End Of Sex (Or What’s Wrong With Mom), the latest Victory Theatre Center World Premiere is nothing if not conversation-provoking.
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SUNDAY IN THE PARK WITH GEORGE

The concert staged reading masters at Musical Theatre Guild put together a stunningly performed and directed Sunday In The Park With George (on a Sunday no less) with just enough production design thrown in that audience members might well have thought they were witnessing a fully-staged production of the Stephen Sondheim-James Lapine masterpiece and not a book-in-hand “reading” put together with a mere twenty-five hours of rehearsal.
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DIANA OF DOBSON’S

Minimum-Wage Worker Goes Wild On 15-Grand Inheritance.

If this sounds like the log-line for an upcoming Emma Stone romcom, think again. Playwright Cicely Hamilton came up with this one way back in 1908 when she wrote Diana Of Dobson’s, a largely forgotten frothy romp with feminist teeth now being given a splendiferous 21st-century Antaeus Theatre Company revival.
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