THE CAUCASIAN CHALK CIRCLE

Masterfully inventive direction and a marvelously multi-talented cast work theatrical alchemy on Bertolt Brecht’s The Caucasian Chalk Circle, the latest Antaeus Theatre Company triumph.
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THE SPITFIRE GRILL

Cast members doubling as the band add a fresh, innovative twist to Garry Marshall Theatre’s captivating revival of the 2001 off-Broadway musical hit The Spitfire Grill.
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LADY DAY AT EMERSON’S BAR & GRILL

Billie Holiday sings again at the Garry Marshall Theatre in Deidrie Henry’s searing tour-de-force star turn in Lanie Robertson’s Lady Day At Emerson’s Bar & Grill.
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THE END OF SEX (OR WHAT’S WRONG WITH MOM)

A menopausal wife informs her husband of thirty-five years that she never wants to have sex again, not with him, not with anybody. A young wife’s sudden success threatens a husband whose career isn’t going nearly as well. Gay Walch’s The End Of Sex (Or What’s Wrong With Mom), the latest Victory Theatre Center World Premiere is nothing if not conversation-provoking.
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SUNDAY IN THE PARK WITH GEORGE

The concert staged reading masters at Musical Theatre Guild put together a stunningly performed and directed Sunday In The Park With George (on a Sunday no less) with just enough production design thrown in that audience members might well have thought they were witnessing a fully-staged production of the Stephen Sondheim-James Lapine masterpiece and not a book-in-hand “reading” put together with a mere twenty-five hours of rehearsal.
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DIANA OF DOBSON’S

Minimum-Wage Worker Goes Wild On 15-Grand Inheritance.

If this sounds like the log-line for an upcoming Emma Stone romcom, think again. Playwright Cicely Hamilton came up with this one way back in 1908 when she wrote Diana Of Dobson’s, a largely forgotten frothy romp with feminist teeth now being given a splendiferous 21st-century Antaeus Theatre Company revival.
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PIRATES OF PENZANCE

Gilbert & Sullivan’s Pirates Of Penzance has been delighting the world for a whopping 140 years, though you’d hardly guess its age, not with a libretto as fresh and funny as the latest live-audience sitcom, and certainly not as directed, choreographed, and performed with effervescence and charm at Glendale Centre Theatre.
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THE MOUNTAINTOP

America’s greatest civil rights leader spends the last night of his life with a sultry, saucy motel maid in Katori Hall’s The Mountaintop, a concept likely to rile those who prefer to remember Dr. Martin Luther King as a sin-and-vice-free saint, but one that makes for gripping, thought-provoking dramatic sparks at the Garry Marshall Theatre just in time for Black History Month 2019.
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