HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING


After a 26-month hiatus, Musical Theater Guild returned to Glendale’s Alex Theatre on Sunday to once again do what they do best, mount a Broadway musical with just 25 hours of rehearsal, and like its pre-pandemic predecessors, How To Succeed In Business Without Really Trying succeeded in entertaining a packed house starved for MTG magic.
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JANE AUSTEN UNSCRIPTED


Impro Theatre is back with Jane Austen Unscripted, their first in-person show in two-and-a-half years, and that means “new characters, new love stories, and new escapades” twice on Saturdays and twice on Sundays under sunny Toluca Lake skies in the Garry Marshall Theatre Garden.
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SANTA CLAUS IS COMIN’ TO MOTOWN


The Troubies are back at their old stomping grounds in Toluca Lake with a fresh new take on one of their all-time favorite holiday offerings, Santa Claus Is Comin’ To Motown, and what a tune-filled, joy-packed December delight it is.
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BRIGHT STAR

Glendale Centre Theatre treats audiences to Steve Martin and Edie Brickell’s Bright Star, not only a heady mix of love, betrayal, hope, and redemption but a masterful example of how to convert a great big Broadway show from its multimillion-dollar proscenium roots to a mini-budgeted in-the-round retooling with zero loss of emotional impact.
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MEASURE FOR MEASURE

A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister.

William Shakespeare foreshadows the #MeToo movement by about four hundred years in Measure For Measure, a four-century-old play given stunning contemporary relevance by directors Armin Shimerman and Elizabeth Swain at Antaeus Theatre Company.
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IT SHOULDA BEEN YOU

Judging from yesterday’s standing ovation, audiences in attendance at Musical Theatre Guild’s one-night-only concert staged reading of It Shoulda Been You most likely came to the identical conclusion as this reviewer. The 2015 Broadway musical romcom shoulda been a hit.
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CHARLEY’S AUNT

Effervescent performances by a pitch-perfect cast, inspired direction by a Broadway National Tour vet only just out of his teens, and a script so fresh and funny, you’d hardly guess it was written over a hundred-twenty-five years ago combine to make Glendale Centre Theatre’s in-the-round staging of Brandon Thomas’s Charley’s Aunt the year’s first bona fide comedy hit.
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EIGHT NIGHTS

A Holocaust survivor newly arrived in 1940s New York. An African-American couple who’ve journeyed north in the tumultuous ’60s in hopes of escaping racism down south. The Japanese-American grandson of WWII internment camp detainees circa 1988. A Syrian refugee in Trump-era America. Playwright Jennifer Maisel weaves together these characters and their interconnected stories in her decades-spanning World Premiere drama Eight Nights, an Antaeus Theatre Company triumph.
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