A PERMANENT IMAGE
Tuesday, June 16th, 2015
Thomas Wolfe to the contrary, you can go home again, though it takes a life-altering event for adult siblings Bo and Ally to set foot anywhere near their Idaho birthplace in A Permanent Image, Samuel D. Hunter’s 2011 journey into the dark heart of the American Northwest, now getting a superb West Coast Premiere at Rogue Machine Theatre.
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OTHER DESERT CITIES
Sunday, June 7th, 2015
Jon Robin Baitz’s Other Desert Cities has arrived 175 miles west of Palm Springs at Ventura’s Rubicon Theatre in a production that makes it abundantly clear why the 2012 Pulitzer Prize finalist stands as one of the best written, most thought-provoking, and ultimately most moving plays of the last decade.
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THE WOODSMAN
Friday, May 22nd, 2015
Playwright Steven Fechter puts a human face on that most reviled of sex offenders, the convicted child molester, in The Woodsman, the powerful latest from Coeurage Theatre Company and a production sure to generate both thought and discussion long after curtain-call applause has died.
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MACBETH
Monday, May 11th, 2015
Macbeth in sixty minutes. What sweeter words are there to those for whom Shakespeare is a taste not quite acquired (or those with only an hour to spare), especially when it’s Zombie Joe’s Underground Theatre Group’s Macbeth, adapted and directed by Denise Devin. Now, that’s my way to see The Scottish Play (or Playlet as the case may be).
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GUS’S FASHIONS & SHOES
Friday, May 8th, 2015
Plays don’t get much more testosterone-fueled than Gus’s Fashions & Shoes, the grittily dramatic, darkly comedic latest from writer-director Ron Klier, whose Cops And Friends Of Cops kept Vs. Theatre audiences glued to the edge of their seats two years back.
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CIRCUS UGLY
Tuesday, May 5th, 2015NOT RECOMMENDED
Some plays are so unexpectedly marvelous and/or so deeply thought-provoking that you can’t stop talking about them long after the house lights have gone back up. Gabriel Rivas Gomez’s Circus Ugly, the latest from Playwrights’ Arena, is likely to inspire almost as much post-performance conversation as those, but for a different reason. Yes, several of its performers manage to impress and so does a topnotch production design, but not even a lukewarm recommendation is possible for a play that still has me scratching my head and wondering, “WTF was that?!”
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ABIGAIL/1702
Saturday, May 2nd, 2015
When last we saw her in Arthur Miller’s The Crucible, teen temptress Abigail Williams was about to flee Salem, Massachusetts and its infamous witch trials, leaving in her wake twenty hanged (or otherwise executed) victims of her venomous, vile, trumped-up accusations.
Playwright Roberto Aguirre-Sacasa now imagines Abby’s life ten years later, and fascinatingly so, in Abigail/1702, a play and production no Crucible lover will want to miss, and the latest from Long Beach’s International City Theatre.
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BOY GETS GIRL
Tuesday, April 28th, 2015NOT RECOMMENDED
Terrific performances by a thoroughly engaging Ivy Khan and a riveting if miscast Jim Martyka highlight Theatre Unleashed’s ill-advised fifteenth-anniversary revival of Rebecca Gilman’s Boy Gets Girl, one which leaves this reviewer wondering how Gilman’s pseudo-thriller ended up named Time Magazine’s #1 Play Of The Year.
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