WHITE GUY ON THE BUS

With racism once again being given permission to rear its hideous head in today’s post-Obama America, the time could not be riper for Bruce Graham’s riveting, conversation-provoking White Guy On The Bus to make its Los Angeles debut at The Road On Magnolia.
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LATE COMPANY

Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
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BEE-LUTHER-HATCHEE

With racial violence on the rise, racists increasingly fearless in spouting (and acting upon) their hate, and an incoming President owing his election, at least in part, to racist backlash against his predecessor, the timing could hardly be more apt for Sierra Madre Playhouse to give Thomas Gibbons’ provative Bee-luther-hatchee the powerful revival it deserves, now more than ever.
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UNBOUND

Sympathy-defying characters in credibility-challenging situations make D.G. Watson’s Unbound a less than riveting follow-up to IAMA Theatre Company hits like A Dog’s House, The Recommendation, and The Accidental Blonde.
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A TIME TO KILL

Theatre 68 inaugurates its new, spiffily remodeled Lankershim digs with Rupert Holmes’ skillful 2013 Broadway stage adaptation of John Grisham’s A Time To Kill, an edge-of-your-seat West Coast Premiere likely to prove right up any courtroom-drama lover’s alley.
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A TASTE OF HONEY

Teenage Jo comes of age once again in A Taste Of Honey, Shelagh Delaney’s groundbreaking slice of mid-20th-century Manchester life made must-see at West L.A.’s Odyssey Theatre by its native Mancunian star’s haunting lead performance.
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AMADEUS

Inland Valley Repertory Theatre closes its 2015-16 season at Candlelight Pavilion with a sumptuous big-stage revival of Peter Shaffer’s Amadeus made memorable by Ron Hastings’ riveting lead performance.
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THE MAIDS

Stunning performances and a striking production design make A Noise Within’s revival of Jean Genet’s The Maids a must for fans of mid-20th-century French experimental theater. Those less fond of avant-garde fare will find Genet’s talky tale of twisted sisters a considerably tougher go.
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