BEE-LUTHER-HATCHEE

With racial violence on the rise, racists increasingly fearless in spouting (and acting upon) their hate, and an incoming President owing his election, at least in part, to racist backlash against his predecessor, the timing could hardly be more apt for Sierra Madre Playhouse to give Thomas Gibbons’ provative Bee-luther-hatchee the powerful revival it deserves, now more than ever.
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UNBOUND

Sympathy-defying characters in credibility-challenging situations make D.G. Watson’s Unbound a less than riveting follow-up to IAMA Theatre Company hits like A Dog’s House, The Recommendation, and The Accidental Blonde.
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A TIME TO KILL

Theatre 68 inaugurates its new, spiffily remodeled Lankershim digs with Rupert Holmes’ skillful 2013 Broadway stage adaptation of John Grisham’s A Time To Kill, an edge-of-your-seat West Coast Premiere likely to prove right up any courtroom-drama lover’s alley.
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A TASTE OF HONEY

Teenage Jo comes of age once again in A Taste Of Honey, Shelagh Delaney’s groundbreaking slice of mid-20th-century Manchester life made must-see at West L.A.’s Odyssey Theatre by its native Mancunian star’s haunting lead performance.
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AMADEUS

Inland Valley Repertory Theatre closes its 2015-16 season at Candlelight Pavilion with a sumptuous big-stage revival of Peter Shaffer’s Amadeus made memorable by Ron Hastings’ riveting lead performance.
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THE MAIDS

Stunning performances and a striking production design make A Noise Within’s revival of Jean Genet’s The Maids a must for fans of mid-20th-century French experimental theater. Those less fond of avant-garde fare will find Genet’s talky tale of twisted sisters a considerably tougher go.
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THE MODEL APARTMENT

Though likely to prove a considerably harder sell than the playwright’s more audience-friendly later works, Pulitzer Prize-winner Donald Margulies’ 1988 The Model Apartment has been given a Geffen Playhouse intimate revival worth seeing for its all-around superb performances, direction, and design.
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FRIENDS IN TRANSIENT PLACES

A planeload of passengers jetting from New York to L.A. transports playwright Jonathan Caren into Sarah Ruhl territory in Friends In Transient Places, Caren’s experiment in magic realism that, while it may not have you glued to the edge of your seat as did his The Recommendation and Need To Know, offers its own unique pleasures.
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