MAYAKOVSKY AND STALIN
Sunday, July 22nd, 2018Some good actors attempt to breathe life into writer-director Murray Mednick’s talky, tedious Mayakovsky And Stalin, the longest two-and-a-half hours I’ve spent in a theater in years.
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LYSISTRATA UNBOUND
Thursday, July 12th, 2018
Drama, dance, and Greek-style tragedy merge in Lysistrata Unbound, playwright Eduardo Machado and director-choreographer John Farmanesh-Bocca’s stunning reenvisioning of Aristophanes’ 2400-year-old tale of a woman who takes antiwar protests to a decidedly personal level.
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100 APRILS
Tuesday, July 3rd, 2018The victims and the perpetrators of the mass murder of a million-and-a-half Armenians haunt a dying septuagenarian circa 1982 in Leslie Ayvazian’s edifying, impressively performed, if problematic World Premiere drama 100 Aprils, the latest from Rogue Machine.
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OUR VERY OWN CARLIN MCCULLOUGH
Friday, June 29th, 2018
Amanda Peet takes a trio of characters we’ve seen before–a parent, a prodigiously talented child, and a dedicated coach–and weaves them together into the cliché-defying Our Very Own Carlin McCullough, as riveting a World Premiere as I’ve seen at the Geffen Playhouse, or just about anywhere else for that matter.
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SKELETON CREW
Friday, June 15th, 2018
If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.
TAR
Sunday, June 10th, 2018
L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
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ONE FLEW OVER THE CUCKOO’S NEST
Friday, June 1st, 2018
The audience is locked up side by side with the loonies in After Hours Theatre Company’s über-immersive One Flew Over The Cuckoo’s Nest, and if Dale Wasserman’s stage adaptation of Ken Kessey’s novel isn’t ideally served by this you-are-there approach or the production’s younger-than-written crazies, One Flew Over The Cuckoo’s Nest The Experience is a theatrical adventure you won’t want to miss.
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HOSTAGE
Tuesday, May 29th, 2018
A Wisconsin mother visits her captive son at the height of the Iran Hostage Crisis in Michelle Kholos Brooks’ compelling, eye-opening, fact-based World Premiere drama Hostage, the latest from Skylight Theatre Company.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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