ALL MY SONS


An absolutely sensational Antaeus Theatre Company cast under the inspired direction of Oanh Nguyen make it abundantly clear why many like this reviewer consider Arthur Miller’s All My Sons (and not his more celebrated and revived Death Of A Salesman) his masterwork.
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RED HARLEM

An intriguing truth-is-stranger-than-fiction premise (Stalin-era Soviets’ recruitment of African-American performers for a movie expose on racism in the U.S. to be shot in the USSR) and some inventively stylized staging by director Bernadette Speakes are two major pluses in Kimba Henderson’s Red Harlem. What it needs to achieve full impact is a trim.
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AMADEUS


Tony Award winner Jefferson Mays and West End/Bridgerton breakout star Sam Clemmett burn up the stage in what may well be the most sumptuous production in Pasadena Playhouse history in Darko Tresnjak’s stunning take on Peter Shaffer’s Amadeus.
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SYLVIA SYLVIA SYLVIA

Haunted house stories can be both thrilling and entertaining. There is, unfortunately, little fun to be had inside the Beacon Hill apartment occupied by blocked, depressed writer Sally in the present day and in the 1950s by her more celebrated (albeit equally depressed) 20th-century counterpart in Sylvia Sylvia Sylvia, Beth Hyland’s downer of a World Premiere at Westwood’s Geffen Playhouse.

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RIGHTEOUS AMONG US

Sometimes it pays to stick around for Act Two, which is why I urge you to resist the temptation to exit Little Fish Theatre after Righteous Among Us’s talky, overpadded first act because if you do, you’ll be richly rewarded when Amy Tofte’s tale of Holocaust heroism both real and invented takes dramatic, compelling flight.
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WHAT OPA DID

Audiences in search of uplifting, escapist entertainment in the dismal times we’re living through will not find it in Christopher Franciosa’s Holocaust drama What Opa Did, a Theatre 40 World Premiere not done any favors by James Paradise’s misguided direction.
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BROWNSTONE


The walls of a century-old Upper West Side apartment have much to talk about in Catherine Butterfield’s Brownstone, a trio of fascinating tales all taking place in a single residence but at three distinct periods of time.
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HEISENBERG


Heisenberg, Simon Stephens’s odd-couple romcom with philosophical underpinnings, now makes for a fascinating and ultimately quite moving ninety minutes of intimate theater in Los Feliz under Cameron Watson’s inspired direction.
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