A RAISIN IN THE SUN

A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity in the pre-Civil Rights Era 1950s gets revived to powerful effect at Pasadena’s A Noise Within.
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A STREETCAR NAMED DESIRE

Tennessee Williams’s A Streetcar Named Desire undergoes a radical reinvention at The Theatre @ Boston Court where director Michael Michetti has transposed the seven-decade-old classic to 21st-century New Orleans to stunning effect.
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THE HAPPIEST SONG PLAYS LAST

Pulitzer Prize-winning playwright Quiara Alegría Hudes concludes her deservedly acclaimed “Elliot Trilogy” with The Happiest Song Plays Last, its powerful Latino Theater Company California Premiere made momentous by the fact that Parts 1 at 2 are both currently playing in L.A.*
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THE CHOSEN

Friendship has rarely felt so good or hurt so bad, nor have father-son relationships caused more joy or pain than they do in Chaim Potok’s exquisite coming-of-age novel The Chosen, adapted for the stage by Aaron Posner and Potok and now making an absolutely superb Fountain Theatre debut.
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ELLIOT, A SOLDIER’S FUGUE

Three generations of Marines serving in three different wars have their stories told in four distinct voices in Elliot, A Soldier’s Fugue, the first in Quiara Alegría Hudes’s acclaimed “Elliot Trilogy” now making a lyrically told, gorgeously staged, superbly acted Kirk Douglas Theatre debut.
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A DELICATE SHIP

Questions of “What if…” haunt the memories of the trio of 30somethings who propel Anna Ziegler’s A Delicate Ship, the latest dramatic sensation from North Hollywood’s Road Theatre Company and a play that will stick with you long after its final fade to black.
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THE LAST WIFE

A captivating Olivia Saccomanno rules the stage as Queen Katherine Parr in Kate Hennig’s fascinating feminist take on The Last Wife (of Henry VIII), now getting its Los Angeles Premiere at Theatre 40 in a production not quite ready for its Opening Night.
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LEMONS LEMONS LEMONS LEMONS LEMONS

Brynn Alexander and Philip Asta ace two of the year’s most uniquely demanding roles, aided and abetted by Cricket S. Myers’ and Matt Richter’s spectacularly detailed sound and lighting designs, in the United States Premiere of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons. If only Steiner’s vision of a dystopian future in which speech is limited to a hundred-forty words a day didn’t defy credibility and logic at every turn.
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