LES LIAISONS DANGEREUSES

Decadence and deception prove downright delicious in The Antaeus Theatre Company’s pitch-perfectly partner-cast Les Liaisons Dangereuses, Christopher Hampton’s 1985 stage adaptation of the 18th-century French literary classic directed with supreme flair by Robin Larsen.
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GEM OF THE OCEAN

Two-time Pulitzer Prize winner August Wilson sheds informative, compelling light on early twentieth-century African-American life in Gem Of The Ocean, now being given an absolutely spectacular production at South Coast Repertory.
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HOME

Onetime Vietnam draft dodger Cephus Miles has an epic story to tell, and told in a more realistic, straightforward manner, I might have enjoyed it a good deal more than the hour-and-forty-minute theatrical poetry slam that is Samm-Art Williams’s Home, a play whose flowery language seldom engaged me despite impeccable staging and performances at Long Beach’s International City Theatre.
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A TALE OF TWO CITIES

Forget every A Tale Of Two Cities you’ve seen before, and that includes the 1935 MGM classic. A Noise Within’s United States Premiere of Mike Poulton’s thrillingly reconceived 2014 stage adaptation is in a class by itself, Dickens retold for a 21-century audience, instantly compelling, gorgeous to look at, profoundly moving, and as directed by Julia Rodriguez-Elliott and Geoff Elliot, the absolute must-see production of ANW’s all-around smashing Fall 2017 season.
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WICKED LIT 2017

The Mountain View Mausoleum And Cemetery is once again the undisputed star of this year’s ninth-annual Wicked Lit, a venue so mysterious and spooky that audiences keep coming back year after year for the three-and-a-half-hour indoor-outdoor Halloween-season extravaganza.
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RUNAWAY HOME

A fourteen-year-old far too smart, self-assured, and resourceful for her own good takes to the streets of New Orleans three years after Hurricane Katrina lay waste to the city’s Lower Ninth Ward in Jeremy J. Kamps’ Runaway Home, a Fountain Theatre World Premiere that proves every bit as compelling a slice-of-post-Katrina-life as it is a bona fide crowd-pleaser.
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EXIT STRATEGY

A longtime teacher’s unexpected reaction to the impending closure/demolition of the beleaguered Chicago inner city school she has for decades called home serves as catalyst to Exit Strategy, playwright Ike Holter and the L.A. LGBT Center’s gripping, gut-punching follow-up to their 2015 critical/box-office smash Hit The Wall, and one of Fall 2017’s must-see productions.
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BR’ER COTTON

An angry, rebellious African-American teen finds himself at loggerheads with his hard-working single mom, his tradition-bound granddad, and the racist world he confronts on a daily basis in Tearrance Arvelle Chisholm’s Br’er Cotton, a dialog-provoking gripper of a play that I’d like even better if it stayed in the very real present instead of detouring into magical realism territory and the Civil War past.
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