LEMONS LEMONS LEMONS LEMONS LEMONS
Tuesday, January 16th, 2018Brynn Alexander and Philip Asta ace two of the year’s most uniquely demanding roles, aided and abetted by Cricket S. Myers’ and Matt Richter’s spectacularly detailed sound and lighting designs, in the United States Premiere of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons. If only Steiner’s vision of a dystopian future in which speech is limited to a hundred-forty words a day didn’t defy credibility and logic at every turn.
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ORPHANS
Sunday, December 3rd, 2017
Rising star Leo B. Ramsey burns up the stage opposite gifted teen newcomer Breaker Novogratz and dynamic stage-and-screen vet Ray Abruzzo in Lyle Kessler’s powerful three-hander Orphans, now thrilling and devastating audiences in equal measure at Hollywood’s Lounge Theatre.
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bled for the household truth
Tuesday, November 28th, 2017
If a tightly-wound New York male and a free-spirited Manchester female sharing NYC digs sounds like the latest take on Neil Simon’s The Odd Couple, think again. Ruth Fowler’s bled for the household truth may have an uncomfortable laugh every now and then, but what the Welsh playwright has up her twisted sleeve in this Rogue Machine World Premiere proves the darkest, most disturbing, and quite possibly the most compelling play in town.
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ROTTERDAM
Tuesday, November 21st, 2017
Imagine that your husband, wife, boyfriend, or girlfriend suddenly announced that they were no longer the person you believed them to be, could you still remain coupled, or would this be a deal-breaker? It is precisely this question that lies at the heart of Jon Brittain’s Olivier Award-winning Rotterdam, now getting a riveting, thrillingly staged West Coast Premiere at Skylight Theatre on Vermont.
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KING CHARLES III
Friday, November 17th, 2017
William Shakespeare is dead. Long live Mike Bartlett, author of Charles III, a “future history” The Bard himself might have written had he been looking back, not at Kings crowned Richard or Henry but at a 21-century monarch facing the crisis of his or any sovereign’s reign. Now getting a spectacular Southern California Premiere at a newly revitalized Pasadena Playhouse, King Charles III is the best play William Shakespeare never wrote.
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MR. BURNS, A POST-ELECTRIC PLAY
Saturday, November 4th, 2017
With each of its three acts performed on a different stage of Sacred Fools’ newly renamed (and spiffily remodeled) Broadwater complex on Santa Monica Blvd. and Lillian, the company’s sensationally directed, performed, and designed Los Angeles Premiere of Anne Washburn’s Mr. Burns, A Post-Electric Play achieves event status. Whether or not Washburn’s audacious Drama Desk-nominated take on a post-Apocalyptic civilization is your cup of tea, for its adventurous execution alone, Mr. Burns is a fall-season must-see.
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THE WOMAN IN BLACK
Friday, November 3rd, 2017Theatre Unleashed offers Halloween season audiences an entertaining and occasionally shiver-and-gasp-worthy intimate staging of the three-decades-long-running West End smash “ghost play” The Woman In Black minus the full quotient of horror-movie chills a bigger-bucks production could provide.
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THIS LAND
Tuesday, October 31st, 2017
At once epic and intimate, Evangeline Ordaz’s This Land weaves two centuries of Watts history—from the Mexican ranchers who seized Tongva Indian land in the 1880s, to the white homeowners who took flight in the 1950s when blacks moved in, to the Latinos who became the majority four decades later, to today’s white gentrifiers—into two absorbing, illuminating hours of Los Angeles theater at its best.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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