A GOOD GUY


Playwright David Rambo tackles the hot-button topic of school shootings from the point of view of a teacher who takes matters into her own hands in A Good Guy, a gripping, suspenseful, surprise twist-packed Rogue Machine World Premiere.
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CLARKSTON


No one writes with more insight, depth, and compassion about ordinary lives in the American Northwest than prolific Idaho playwright Samuel D. Hunter, whose unique talents are once again on display in the West Coast Premiere of Clarkston, the latest Echo Theater Company spellbinder.
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THE DOUBLE V

A little-known aspect of World War II-era African-American history is brought to life in Carole Eglash-Kosoff’s entertaining, elucidating, mostly successful The Double V, an International City Theatre World Premiere.
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CREVASSE


Adolph Hitler’s favorite filmmaker meets the man who made animated movie stars of Snow White, Pinocchio, and Bambi in Tom Jacobson‘s Crevasse, a fascinating, stunningly staged co-production of Son of Semele and The Victory Theatre Center.
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THE BAUHAUS PROJECT: BAUHAUS WEIMER

Over the past two decades, Tom Jacobson has established himself as one of L.A.’s most adventurous and original playwrights, creating such risk-taking winners as Bunbury, Ouroboros, The Twentieth Century Way, and his extraordinary Bimini Baths Trilogy. I can’t, unfortunately, add Bauhaus Weimer, Part One of his World Premiere triptych The Bauhaus Project, to that list.
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THE SUBSTANCE OF FIRE

Five years after his acclaimed star turn as Willy Loman, Rob Morrow returns to the Ruskin Group Theatre in another powerhouse role, that of Holocaust survivor-turned-New York publisher Isaac Geldhart in Jon Robin Baitz’s The Substance Of Fire, a family drama unfortunately not in the same league as Death Of A Salesman.
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UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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THE SANDWICH MINISTRY

Performances could hardly be better, but 65 minutes isn’t nearly long enough for playwright Miranda Rose Hall to fully flesh out her three protagonists or the issues raised in The Sandwich Ministry, now nearing the end of its run at the Skylight Theatre.
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