KINGS

Rising playwright Sarah Burgess takes deadly aim at the political strings pulled by big-money-powered PACs in Kings, a South Coast Repertory West Coast Premiere as entertaining as it is riveting as it is cynical about the state of our nation.
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A SPLINTERED SOUL

World War II Holocaust survivors and Los Angeles theater audiences deserve far better than the preposterously plotted 1940s B-movie melodramatics of Long Beach playwright Alan L. Brooks’ A Splintered Soul, a major misfire from the almost always stellar International City Theatre.
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EVERYTHING THAT NEVER HAPPENED

Playwright Sarah B. Mantell rights centuries of wrong done Shakespeare’s Jessica, Lorenzo, and Shylock in The Theatre @ Boston Court’s adventurous, challenging Everything That Never Happened. But be forewarned and forearmed. The more familiar you are with its Merchant Of Venice protagonists, the greater the rewards of Mantell’s World Premiere romcom will be.
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26 PEBBLES

Playwright Eric Ulloa puts a personal face on fourth-deadliest mass shooting by a single person in U.S. history and the deadliest ever at a high school or grade school in his riveting, touching, inspiring 26 Pebbles, Beverly Hills’ Theatre 40 at its most risk-taking and cutting-edge.
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ROPE

Cohabitating young Londoners strangle a university classmate to death, hide the body in a living room trunk, then welcome the victim’s father, his aunt, a pair of fellow students, and the teacher whose beliefs inspired their cold-blooded act for a dinner soiree in Patrick Hamilton’s Rope, easily the darkest. deadliest, and most daring offering in Actors Co-op’s 27-year history.
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A PICTURE OF DORIAN GRAY

A Picture Of Dorian Gray, Michael Michetti’s spectacular take on the Oscar Wilde classic, is back, twelve years after its Theatre @ Boston Court debut, stunningly restaged by its director-adapter and easily the most provocative, boundary-pushing production ever to ignite the A Noise Within stage.
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THE UNTRANSLATABLE SECRETS OF NIKKI CORONA

An intriguing premise and promising first act are sabotaged by a ridiculous post-intermission trek to the hereafter that bodes little to no regional theater afterlife for José Rivera’s The Untranslatable Secrets Of Nikki Corona, a Jo Bonney-directed Geffen Playhouse World Premiere.
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THE DIARY OF ANNE FRANK

Director Stan Zimmerman’s high-concept, Latino-cast The Diary Of Anne Frank scores points for its thought-provoking premise. In execution, however, it proves a mixed bag at best.
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