OPPENHEIMER

Epic in scope. As cinematic as it is theatrical. A lesson in history and a cautionary tale for future generations. Tim Morton-Smith’s monumental bio-drama Oppenheimer is all this and a spectacular achievement for Rogue Machine Theatre in its American Premiere.
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COST OF LIVING

The costs of living are high indeed for the four damaged protagonists of Martyna Majok’s 2018 Pulitzer Prize winner Cost Of Living, now being given a gut-punchingly powerful West Coast Premiere at the Fountain.
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REMEMBERING BOYLE HEIGHTS

Boyle Heights, Los Angeles, its past, its present, and the challenges it faces in the future, make for an eye-opening theatrical experience in Casa 0101’s World Premiere docudrama Remembering Boyle Heights.
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VALLEY OF THE HEART

Epic in scope, educational in intent, and exquisite in design, Luis Valdez’s Valley Of The Heart examines America’s WWII internment of its Japanese-American citizens and their foreign-born family members in ways both familiar (the Broadway musical Allegiance played L.A. just ten months ago) and original (our narrator is Mexican-American). If only the Zoot Suit playwright proved more adept at creating authentic-sounding dialog. If only Valley Of The Heart didn’t so often feel like Wikipedia on stage.
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THE LITTLE FOXES

Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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KINGS

Rising playwright Sarah Burgess takes deadly aim at the political strings pulled by big-money-powered PACs in Kings, a South Coast Repertory West Coast Premiere as entertaining as it is riveting as it is cynical about the state of our nation.
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A SPLINTERED SOUL

World War II Holocaust survivors and Los Angeles theater audiences deserve far better than the preposterously plotted 1940s B-movie melodramatics of Long Beach playwright Alan L. Brooks’ A Splintered Soul, a major misfire from the almost always stellar International City Theatre.
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EVERYTHING THAT NEVER HAPPENED

Playwright Sarah B. Mantell rights centuries of wrong done Shakespeare’s Jessica, Lorenzo, and Shylock in The Theatre @ Boston Court’s adventurous, challenging Everything That Never Happened. But be forewarned and forearmed. The more familiar you are with its Merchant Of Venice protagonists, the greater the rewards of Mantell’s World Premiere romcom will be.
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