JOCASTA: A MOTHERF**KING TRAGEDY
Sunday, January 13th, 2019Technical marvels and some inventive directorial touches aren’t enough to rescue The Ghost Road Company’s Jocasta: A Motherf**king Tragedy from its performance-artsy approach to Greek tragedy and its lackluster lead.
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WINK
Saturday, December 29th, 2018Casting a non-binary actor as a non-binary protagonist merits snaps, but the two-hour suspension of disbelief required of an audience by Neil Koenigsberg’s Wink sinks whatever good intentions may have prompted its playwright to put fingertips to keyboard.
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FINKS
Tuesday, November 27th, 2018
Joe McCarthy’s Communist witch hunts and the ensuing Hollywood blacklist may have seemed misty water-colored memories of sixty-year-old injustices when Joe Gilford’s Finks made its off-Broadway debut in the Obama-era early 2010s. Such is not the case a half dozen-years later, just one of many reasons not to miss its searing Los Angeles Premiere at Rogue Machine Theatre.
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OPPENHEIMER
Tuesday, November 27th, 2018
Epic in scope. As cinematic as it is theatrical. A lesson in history and a cautionary tale for future generations. Tim Morton-Smith’s monumental bio-drama Oppenheimer is all this and a spectacular achievement for Rogue Machine Theatre in its American Premiere.
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COST OF LIVING
Wednesday, November 21st, 2018
The costs of living are high indeed for the four damaged protagonists of Martyna Majok’s 2018 Pulitzer Prize winner Cost Of Living, now being given a gut-punchingly powerful West Coast Premiere at the Fountain.
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REMEMBERING BOYLE HEIGHTS
Saturday, November 17th, 2018Boyle Heights, Los Angeles, its past, its present, and the challenges it faces in the future, make for an eye-opening theatrical experience in Casa 0101’s World Premiere docudrama Remembering Boyle Heights.
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VALLEY OF THE HEART
Thursday, November 8th, 2018Epic in scope, educational in intent, and exquisite in design, Luis Valdez’s Valley Of The Heart examines America’s WWII internment of its Japanese-American citizens and their foreign-born family members in ways both familiar (the Broadway musical Allegiance played L.A. just ten months ago) and original (our narrator is Mexican-American). If only the Zoot Suit playwright proved more adept at creating authentic-sounding dialog. If only Valley Of The Heart didn’t so often feel like Wikipedia on stage.
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THE LITTLE FOXES
Friday, October 26th, 2018
Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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