SILENT SKY


Sierra Madre Playhouse pays tribute to a groundbreaking, trailblazing astronomer who refused to let her gender hold her back in Lauren Gunderson’s engaging, informative biodrama Silent Sky.
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TROUBLE THE WATER


Will Geer’s Theatricum Botanicum pays tribute to a little-known figure in African-American history in Ellen Geer’s illuminating, emotion-packed biodrama Trouble The Water, freely adapted from Rebecca Dwight Bruff’s award-winning 2019 novel of the same name.
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MUD

Loft Ensemble imagines a dystopian future populated by ten nameless, genderless global calamity survivors in Mud, a World Premiere drama I found alternately pretentious and preachy
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KING LIZ


Broadway star Sabrina Sloan sizzles as a powerhouse A-list sports agent named Liz Rico, and newcomer Evan Morris Reiser electrifies as a high school grad with NBA superstar potential, in Fernanda Coppel’s off-Broadway dramedy King Liz, now getting a largely absorbing Los Angeles Premiere at the Geffen Playhouse.
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THE DESPERATE HOURS

Joseph Hayes’ The Desperate Hours may have won a Tony as the Best Play of 1955, but the 67-year-old suspense melodrama is showing its age these days with its stilted dialog and Father Knows Best-meets-Dragnet characters, and some questionable casting choices don’t help its 2022 revival at the Group Rep.
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BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
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AFTERGLOW


Can an open marriage survive if one husband embarks on a sexual relationship with one of the couple’s occasional bed guests? This is the provocative question posed by playwright S. Asher Gelman in Afterglow, a surefire seat-filler thanks to its extended softcore sex scenes early on but a West Coast Premiere whose real dramatic fire begins once the clothes have come back on.
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THE EFFECT


Paul Rush delivers one of the most electrifying performances I’ve seen this past year opposite a captivating, compelling Jackie Jandrell in Sixty-Six Productions’ Los Angeles Premiere of Lucy Prebble’s The Effect.
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