MEASURE FOR MEASURE

A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister.

William Shakespeare foreshadows the #MeToo movement by about four hundred years in Measure For Measure, a four-century-old play given stunning contemporary relevance by directors Armin Shimerman and Elizabeth Swain at Antaeus Theatre Company.
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AN IDEAL HUSBAND

Though its three-hour running time may not be a contemporary theatergoer’s ideal, Oscar Wilde’s An Ideal Husband served with a London High Tea Dinner at Pasadena’s picturesque Madeline Gardens Bistro makes 413 Repertory Theater’s latest a mouth-wateringly out-of-the-ordinary evening of stage and cuisine.
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ARSENIC AND OLD LACE

The Brewster sisters are once again at their mirthfully murderous ways in La Mirada Theatre’s pitch-perfect revival of Joseph Kesserling’s 1941 Broadway classic Arsenic And Old Lace.
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CHARLEY’S AUNT

Effervescent performances by a pitch-perfect cast, inspired direction by a Broadway National Tour vet only just out of his teens, and a script so fresh and funny, you’d hardly guess it was written over a hundred-twenty-five years ago combine to make Glendale Centre Theatre’s in-the-round staging of Brandon Thomas’s Charley’s Aunt the year’s first bona fide comedy hit.
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THE MAN WHO CAME TO DINNER

When it comes to terrorizing an all-American family while scheming to get his own egomaniacal way, nobody did it better in the 1930s than radio superstar Sheridan Whiteside, just one reason why Golden-era Broadway fans won’t want to miss The Group Rep’s spiffy revival of Kaufman and Hart’s screwball comedy classic The Man Who Came To Dinner.
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THE SKIN OF OUR TEETH

Climate change, natural disasters, cataclysmic war, and a leading lady who steps out of character to inform the audience that she doesn’t understand a word of the play in which she’s appearing. What must 1942 theatergoers have made of Thornton Wilder’s The Skin Of Our Teeth?

Check out Theatricum Botanicum’s zesty 2019 revival and savor for yourself this Greek Mythology-meets-The Bible-meets-Ancient History-inspired 20th-century classic, as charming as it is mind-blowing and as terrifically directed and performed as any Wilder fan could wish for.
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A MIDSUMMER NIGHT’S DREAM

There’s no more bewitching way to spend a midsummer night than under the stars at William Shakespeare’s A Midsummer Night’s Dream, a quarter-century Theatricum Botanicum tradition.
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TWELFTH NIGHT

William Shakespeare’s star-crossed twins, mismatched lovers, and zany fools are as star-crossed, mismatched, and zany as ever this summer at Theatricum Botanicum, but this time round they burst into song in Ellen Geer’s enchanting Twelfth Night under Topanga skies.
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