ONE MAN, TWO GUVNORS


The Swinging Sixties have rarely if ever swung as wildly and wackily as they do in the physical-comedy-packed screwball funfest that is the West End-to-Broadway smash One Man, Two Guvnors, A Noise Within’s couldn’t-be-more-fabulous 2025-2026 season opener.
(read more)

THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
(read more)

MUCH ADO ABOUT NOTHING


Beatrice and Benedick are once again at it tooth and nail, but this time round she’s wearing a hoopskirt and he’s sporting a Civil War-era Army uniform as director Ellen Geer transposes the Shakespeare comedy classic from 16th-century Italy to 1860s Virginia while sprinkling in one I Love Lucy-inspired physical comedy bit after another.
(read more)

A MIDSUMMER NIGHT’S DREAM


Summer has come to L.A., and with it the annual return to Will Geer Theatricum Botanicum of A Midsummer Night’s Dream, the Shakespearean classic once again delighting audiences of all ages, whether they are experiencing its magic for the first time or returning for another summer afternoon or evening of enchantment.
(read more)

THE WINTER’S TALE


If you’ve ever wished Shakespearean English weren’t so darned hard to understand (I certainly have), then Tracy Young’s modern verse translation of The Winter’s Tale, the sparklingly performed latest from Skylight Theatre Company, is the Shakespeare production for you and for me.
(read more)

JANE EYRE

A Noise Within follows their spectacular reimagining of Macbeth with a solid production of Charlotte Brontë’s Jane Eyre, albeit not as effectively staged or as ideally cast as I might have wished.
(read more)

MACBETH


Transposing William Shakespeare’s Macbeth from the bleak moors of Scotland to the sultry streets of New Orleans is just the first of director Andi Chapman’s multiple strokes of genius in re-envisioning The Scottish Play to all-around stunning effect at A Noise Within.
(read more)

THE SEAGULL

A TV-star-studded guest production at the Odyssey Theater does a mostly terrific job of reminding audiences that Anton Chekhov’s The Seagull is, as its author steadfastly maintained, a comedy, but falls short of that goal in the play’s downer of a final act.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »