THE IMPORTANCE OF BEING EARNEST


Inspired direction, pitch-perfect performances, and a gorgeous production design combine to make Antaeus Theatre Company’s 2024 season opener about as perfect a The Importance Of Being Earnest as any Oscar Wilde lover could wish for.
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CYRANO DE BERGERAC


The translation’s the thing, but far from the only thing that makes Pasadena Playhouse’s dazzling staging of Martin Crimp’s “free adaptation” of Edmond Rostand’s French classic Cyrano de Bergerac the latest Pasadena Playhouse winner.
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TARTUFFE: BORN AGAIN


That Bible-thumping scoundrel Tartuffe is once again bound and determined to rob a wealthy family blind, albeit this time in the big-haired, big-shouldered 1980s, in Tartuffe: Born Again, Freyda Thomas’s Baton Rouge-set translation of the 1664 Moliere classic, now tickling audience funny bones under Topanga skies at Will Geer’s Theatricum Botanicum.
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MISALLIANCE


George Bernard Shaw fans won’t find a more sparklingly performed or exquisitely designed production of Misalliance than the one now playing at A Noise Within, and even if like me you find Shaw plays overly long and talky, this one’s suddenly zippy second act will have you singing its praises.
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NORA


Housewives don’t get any more desperate than Nora, the up-against-the-wall protagonist of Antaeus Theatre Company’s enthralling, entertaining latest, Ingmar Bergman’s smartly streamlined take on Henrik Ibsen’s A Doll’s House.
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TWELFTH NIGHT


Actors Co-op gives L.A.’s top-of-the-line classical theater companies some stiff competition with their irresistibly entertaining, tunefully tropical take on Twelfth Night, William Shakespeare’s timeless tale of star-crossed twins, mismatched lovers, and zany fools.
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THE WINTER’S TALE


Director Elizabeth Swain ups the Act One drama, then enhances the Act Two froth in Antaeus Theatre Company’s splendidly performed 21st-century staging of William Shakespeare’s still-fresh-at-401 The Winter’s Tale.
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ALL’S WELL THAT ENDS WELL

Whether you love the entirety of the Porters of Hellgate’s All’s Well That Ends Well, or enjoy some parts of it more than others, will likely depend on how much of a William Shakespeare fan you are where this “problem comedy” is concerned.
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