Author Archive

LOVE’S LABOR’S LOST


I have a confession. I’m not the worlds biggest Shakespeare fan.  Yes, I know that as a theater reviewer it’s my “duty” to love the Bard, so sue me for saying that I often get lost in his convoluted plots, whole chunks of dialog whizzing past me or over my head without really sinking in.  Thus, when I tell you that I thoroughly enjoyed (and had very little difficulty following) The Porters of Hellsgate’s production of Love’s Labor’s Lost, this is high praise indeed.
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PETER PAN


If asked what songs they associate with Peter Pan, most people would likely answer with “I’m Flying,” “I Won’t Grow Up,” or “I’ve Gotta Crow” from the Broadway/TV musical (music and lyrics by “Moose” Charlap and a quintet of others), or “Second Star To The Right,” “Following The Leader,” or “You Can Fly!” (music and lyrics by the Sammys (Fain and Cahn) among others). Songs that probably don’t pop into folks’ heads are “Who Am I?”, “Build My House,” and “Spring Will Come Again” (music by Leonard Bernstein and lyrics by … Leonard Bernstein).
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JANE AUSTEN UNSCRIPTED


Improv is a tricky art form. It requires an actor’s imagination, concentration, quick thinking, and the ability to maintain a straight face no matter what is being said or done.  Imagine now a group of actors improvising an entire two-act play. Quite definitely a daunting task, yet this is precisely the challenge which the sensational talents behind Impro Theatre have undertaken in their smash hit Jane Austen UnScripted.
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IT’S A STEVIE WONDERFUL LIFE

RECOMMENDED
The Troubadour Theater Company is back with its Christmas season favorite It’s A Stevie Wonderful Life, a spoof of the Hollywood holiday film classic interspersed with Stevie Wonder hits, often with lyrics rewritten to fit the movie’s plot.  Though I found the troupe’s recent As U2 Like It a more entertaining and polished production, Stevie Wonderful does have many bright and funny moments, especially for fans of the original film.
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SMOKEY JOE’S CAFÉ


Fans of 1950s rock and pop will be in Top 40 heaven with the El Portal Theatre’s revival of the 1995 Broadway smash Smokey Joe’s Café, featuring three dozen of the greatest hits of rock-and-roll songwriting legends Jerry Leiber and Mike Stoller.
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BACKSEATS & BATHROOM STALLS


Quite simply put, Backseats & Bathroom Stalls is the funniest comedy I’ve seen so far in the 2008-2009 season. Rob Mersola’s pansexual sex farce not only had me laughing out loud (and quite loudly indeed) through its non-stop 80 minutes of hilarious surprises but kept me on the edge of my seat trying to guess what was coming next. It also has one of the best “I didn’t see that one coming” surprises since The Crying Game or The Sixth Sense.
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A RUBICON FAMILY CHRISTMAS


When I was a kid, my Decembers were brightened and my holiday spirit heightened by much-anticipated yearly TV Christmas specials, hosted by Andy Williams, Perry Como, and Dinah Shore, sponsored by Kraft Foods, and “brought to you in living color on NBC.”  The Rubicon Theatre brings back those days with its lovingly conceived and terrifically performed A Rubicon Family Christmas.  Though L.A. stages are currently filled to the brim with A Christmas Carols and holiday themed comedies, the Rubicon is the place to go for music of the season, especially as performed by six of the finest musical theater talents the Southland has to offer.
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FIDDLER ON THE ROOF


There are times in musical theater when all the elements—performance, direction, choreography, musical direction, and design—come together to form an absolutely perfect whole. One of these times is now, in CLOSBC’s brilliant revival of Fiddler On The Roof.
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