Author Archive

BOB’S HOLIDAY OFFICE PARTY


Hilarious, crazy, zany, drunken Midwest Hell Christmas insanity” is how my friend Marc describes his first exposure to Bob’s Holiday Office Party, and I wholeheartedly agree. No wonder Bob’s Holiday Office Party is celebrating thirteen consecutive years of shocking and delighting L.A. audiences with its particular blend of mirth, drunken shenanigans, and Christmas spirit.
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THE LIFE


The pimps and hookers of pre-Disneyfied Times Square are alive and well and still doing business in the much anticipated Los Angeles premiere of Cy Coleman’s last Broadway musical, 1997’s The Life, now in a limited run on the couldn’t-be-more-fitting Hollywood Boulevard, and directed with power and pizzazz by Joe Greene. 
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THE DADDY MACHINE


Kids with same gender parents finally have a musical about their families–the absolutely delightful The Daddy Machine. Not that this hour-long musical comedy isn’t also great for kids growing up in so-called “traditional” families–or for adults of any age, gender, or sexual orientation. In fact, The Daddy Machine may just be the most entertaining family show around town these days.
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THE LAST FIVE YEARS


Since discovering Jason Robert Brown’s The Last Five Years about four years ago, I have rarely missed a chance to see it performed. Whether in a large professional theater (The Pasadena Playhouse) or an intimate space (The Chance) or even in concert form (Brown himself opposite Julia Murney), TL5Y is a musical which never fails to move me.  Tonight’s superbly directed and terrifically performed UCLA production was no exception.
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A CHRISTMAS CAROL


Jason Moyer’s fabulous gay adaptation of Charles Dickens’ A Christmas Carol is back for a return engagement with a new director (Michael A. Shepperd), a slightly tweaked book, a mostly new cast, and a whole new bigger-budgeted look and feel.
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THE BUSY WORLD IS HUSHED


Besides being one of the best and most intelligent new plays in quite a while, Keith Bunin’s The Busy World Is Hushed couldn’t come at a more appropriate time.  Following a Yes On 8 victory which was fueled largely by so-called “devout Christians,” it is refreshing indeed to see a play which presents a gay-affirming branch of Christianity, and a lead character (and person of the cloth) who not only accepts that her son is gay but actively encourages his quest for Mr. Right.
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WEST SIDE STORY


Musical Theatre Of Los Angeles follows its much lauded 99-seat production of the mammoth Ragtime with yet another challenge—staging the Jerome Robbins-Arthur Laurents-Leonard Bernstein-Stephen Sondheim classic West Side Story with a 32-member cast and a 10-piece orchestra on a stage perhaps ¼ the size of most large theaters’.  The result is an intimate yet epic production which rates an A+ for ambitiousness and a solid B for execution, and one which confirms MTLA’s promise as a young and daring new musical theater company.
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ETHAN LE PHONG 2008

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