Author Archive
THE BALTIMORE WALTZ
Sunday, January 11th, 2009NOT RECOMMENDED
Paula Vogel’s 1992 The Baltimore Waltz received the Obie for Best New American Play, yet has rarely if ever been performed locally. For this reason alone, Rude Guerrilla’s just opened production is sure to generate considerable interest. Director R.J. Romero writes that Vogel’s work has been “a major presence throughout my adult reading and theatre viewing life,” making it a certainty that love and care have gone into this production. Romero’s sound design is especially effective in creating a fanciful, romantic atmosphere, and his cast demonstrate real commitment to achieving the director’s goals.
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YOU NERO
Sunday, January 11th, 2009RECOMMMENDED
Imagine a Mel Brooks spoof about the fabled Roman emperor Nero, or one written and performed by the Monty Python gang, or perhaps a classic Nero sketch from the 1950s’ Your Show Of Shows, with Sid Caesar as Nero. Now, stretch it out to two acts with a running time of two hours and fifteen minutes and place it on the Julianne Argyros Stage at South Coast Repertory—and you have Amy Freed’s You, Nero.
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AS MUCH AS YOU CAN
Saturday, January 10th, 2009
Diversionary Theatre’s production of Paul Oakley Stovall’s As Much As You Can couldn’t come at a more appropriate moment, November’s Yes On 8 victory having focused attention on the African American community’s attitudes towards gays and lesbians in general and same-sex marriage in particular. These timely topics form the heart of Stovall’s perceptive, thought-provoking, hopeful, and downright hilarious comedy, a contemporary gay take on Guess Who’s Coming To Dinner.
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BREAKING UP IS HARD TO DO
Friday, January 9th, 2009
Neil Sedaka’s back—again—in Breaking Up Is Hard To Do, the entertaining new musical which features his most famous hits from the 1950s, 60s, and 70s.
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BILL W. AND DR. BOB
Sunday, January 4th, 2009RECOMMENDED
Bill W. And Dr. Bob, Samuel Shem and Janet Surrey’s biodrama about the founders of AA, has been around L.A. for quite a while now. Its current incarnation at Theatre 68 is in fact its fifth Los Angeles run and follows its 2007 New York Times-reviewed off-Broadway premiere at New World Stages. Having finally gotten the chance to see this often very moving story of the men who, almost by accident, revolutionized the treatment of alcoholism and other addictions, I can understand its popularity and appeal. Despite certain structural drawbacks and its air of “disease movie of the week,” Bill W. And Dr. Bob is both educational and entertaining, and in the second act especially, emotionally powerful.
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BAREFOOT IN THE PARK
Saturday, January 3rd, 2009
Neil Simon’s Barefoot In The Park may be 45 years old, but you’d never know it from the fresh and consistently funny revival it’s getting at Glendale Centre Theatre. Corie Bratter’s powder blue Princess telephone with its rotary dial may be a relic of the sixties, and there’s not a computer or plasma TV in sight, but Simon’s gifts as the master of the one-line gag aren’t even a tad dated in this, only his 2nd Broadway comedy.
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LOVE SONG
Friday, January 2nd, 2009
Rude Guerilla has scored a major coup in gaining the rights to present the Southern California premiere of Love Song, John Kolvenbach’s hilarious, captivating, quirky, one-of-a-kind romantic comedy (with a twist). Following its 2006 world premiere at Chicago’s renowned Steppenwolf and a London premiere (studded with American TV stars) later the same year, Love Song has gone on to regional and international acclaim. Why major L.A. theaters let this remarkable gem of a play slip them by is anyone’s guess, but their loss is Orange County’s gain—and Angelinos are hereby advised to take advantage of low gas prices by heading on down to Santa Ana to see what the rest of the world has been gushing about.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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