Posts Tagged ‘Theatricum Botanicum’

WINE IN THE WILDERNESS


Will Geer Theatricum Botanicum concludes one of its best seasons ever with an absolutely terrific staging of Alice Childress’s slice-of-1960s-African-American-life Wine In The Wilderness.
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THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
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STRIFE


The rich get richer and the poor get poorer in Strife, John Galsworthy’s more-relevant-than-ever look at the darker side of HBO’s The Gilded Age.
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MUCH ADO ABOUT NOTHING


Beatrice and Benedick are once again at it tooth and nail, but this time round she’s wearing a hoopskirt and he’s sporting a Civil War-era Army uniform as director Ellen Geer transposes the Shakespeare comedy classic from 16th-century Italy to 1860s Virginia while sprinkling in one I Love Lucy-inspired physical comedy bit after another.
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A MIDSUMMER NIGHT’S DREAM


Summer has come to L.A., and with it the annual return to Will Geer Theatricum Botanicum of A Midsummer Night’s Dream, the Shakespearean classic once again delighting audiences of all ages, whether they are experiencing its magic for the first time or returning for another summer afternoon or evening of enchantment.
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WENDY’S PETER PAN


Will Geer’s Theatricum Botanicum treats audiences to their most kids-friendly show in memory with Wendy’s Peter Pan, Ellen Geer’s reimagining of the J.M. Barrie classic as told by a now grown-up Wendy Darling to her three precocious offspring.
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THE HISPANIC/LATINO/LATINA/LATINX/LATINÉ VOTE


If pre-election worries have got you feeling all angsty about November 5, then head on over to Theatricum Botanicum for The Hispanic/Latino/Latina/Latinx/Latiné Vote, Bernardo Cubría’s couldn’t-be-more-topical-or-entertaining cure for the pre-election blues.
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TARTUFFE: BORN AGAIN


That Bible-thumping scoundrel Tartuffe is once again bound and determined to rob a wealthy family blind, albeit this time in the big-haired, big-shouldered 1980s, in Tartuffe: Born Again, Freyda Thomas’s Baton Rouge-set translation of the 1664 Moliere classic, now tickling audience funny bones under Topanga skies at Will Geer’s Theatricum Botanicum.
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