Posts Tagged ‘The Road Theatre Company’

BISEXUAL SADNESS


A bi woman about to marry the man of her dreams fears losing the community of gay women who welcomed her during her lengthy relationship with a lesbian in India Kotis’s Bisexual Sadness, a laughter-and-drama-packed Road Theatre World Premiere guaranteed to get you thinking and talking about sexuality and gender in new and unexpected ways.
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SCINTILLA


A grown son’s visit to his semi-estranged mother’s woodsy abode soon turns into a matter of life or death as a raging forest fire advances in their direction in Scintilla, Alessandro Camon’s gripping, suspenseful gut-puncher of a Road Theatre Company World Premiere.
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ACCORDING TO THE CHORUS


Backstage comedies pretty much have me at hello. No wonder then that I’ve fallen head over Capezios for According To The Chorus, Arlene Hutton’s captivating journey back in time to Broadway circa 1984, the latest World Premiere delight from North Hollywood’s Road Theatre Company.
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BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
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BRIGHT HALF LIFE


An interracial same-sex couple embark upon a four-decade-long roller-coaster ride of romantic highs and lows in the Road Theatre Company’s Los Angeles Premiere of Tanya Barfield’s Bright Half Life, as funny and sad and moving a two-character dramedy as I’ve seen in ages.
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THE PLAY YOU WANT


Times may have changed since actors like Lupe Velez, Ricardo Montalbán, and Rita Moreno found themselves pigeonholed into one stereotypical role after another, but perhaps not as much as we’d like to believe, or at least not according to the The Play You Want, Bernardo Cubría’s scathingly funny look at the compromises a writer named Bernardo Cubría must make to make it to Broadway.
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NOWHERE ON THE BORDER

Playwright Carlos Lacámara puts a personal face on the hot-button issue of illegal immigration in Nowhere On The Border, a Road Theatre Company drama that works best when focusing on its odd couple of 50something adversaries.
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THE SPANISH PRAYER BOOK

The Road Theatre’s three-year streak of winners ends with Angela J. Davis’s convoluted, uninvolving The Spanish Prayer Book, the company’s 2019-2020 World Premiere season opener.
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